Sony is making something called a “PlayStation 5”

In news that has stunned and surprised absolutely nobody Sony have unveiled the official name and release window for the next game console they will be releasing. PlayStation 5 is scheduled to release “Holiday 2020” which is almost exactly when everyone expected it. I personally feel ready for a new console, but the real questions are does PlayStation 5 have enough to convince me that a stay at home console is worth my investment in a world where game streaming services seem to be right around the corner. 

There is a slew of technical information out about the Sony’s new flagship console. An article on over on Wired goes into detail on the Ray Tracing hardware that has been confirmed and an explanation of why the SSD hard drive is so superior to the current hard drives in games consoles. Less space is needed, and it can be accessed faster, so it’s all good news. To be honest, the power of games consoles is becoming less and less relevant, and the real selling point for any new console will be what it brings that I haven’t seen before or didn’t expect.

Each new generation is more powerful than the last and allows for games to be played at higher resolution and gives developers the horsepower needed to produce games with the size and scope of a Red Dead Redemption 2. What I need to get me excited is something new, something I didn’t see coming. Sony have realised this too it seems, and the most interesting innovations are not coming from what’s in the box under your TV, but from what’s in your hands.

The new controller, which is not officially called the DualShock 5, but we all expect it to be, features a couple of new features that genuinely sound like they will enhance the immersion for a wide variety of games. The new feedback that can be programmed into the triggers and analogue sticks is something completely new for consoles.

First, the triggers. The new controller will allow the developers to adjust how much resistance is felt when the player pulls on the trigger buttons. This seems like a novel idea but imagine how different it’s going to feel when you fire a sniper and the trigger resists a little before clicking as you shoot, and then it flings back into position. Or when you’re playing a driving game, and the break trigger will be harder to push the harder you break just like the real thing. This little kind of innovation has a lot of potential to make games feel a lot more intuitive and immersive which is where the next generation of consoles must start heading. With VR slowly becoming a bigger component, these types of physical feedback controllers will allow for entirely new ways to play games.

With the analogue sticks, it is even harder to visualise how these are going to work. Basically, it seems like they are going to feel different depending on the surface your character is walking through. So, for instance on Assassins Creed Odyssey, running through grass will feel different to sand, with the sand feeling a bit slower and feeling more resistant, and then on ice it will loosen up and slip about with ease. It sounds novel, but I am not sure how it will work.

Of course, I am not sure exactly how both these systems will combine until I have the controller in my hands but that is miles off. For now, I am just very excited that these kinds of innovations are where Sony is focusing their attention for the next generation. Their biggest problem, as I hinted in the intro, is that I am not convinced I will want to have a box under my TV.

Stadia and Xbox both are looking like they will be offering a streaming option for playing games, and for me that works better than any console. The one barrier to entry with all these streaming services is the quality of the internet and how good of a connection you need to be able to play latency free, HD to 4K games on them. If my internet at home is good enough to play games at that level, I am not so sure I will need a dedicated home console.

The ace up Sony’s sleeve of course is their range of first party exclusive titles. If it means missing out on TLOU3, Sequels to Horizon Zero Dawn and God of War, and other possible exclusives like Infamous or Spiderman, than I will not be sticking with just a streaming option.

Regardless of whatever software and hardware combination the next generation of gaming platforms arrive in, it’s the games that are available on them that will define them.

‘Til tomorrow.

ChAzJS

 

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Chuck is on Amazon Prime!

Once again, my early night was ruined by finding a series online, I just know I am going to love. How do I know? Because it’s Chuck, and it’s very possibly my favourite ever TV show. I would never argue it is the best TV series, but it’s comfortably the one I have enjoyed the most. So today I am going to explain why I love it. 

I got just twenty-six minutes into the first episode of season one when I remember why I love the series. Its main premise is that a man-child gets government secrets implanted in his brain and the CIA and other government agencies want to use his brain. That’s the plot device that drives the five seasons and brings with it the twists and turns from an action/spy thriller point of view. They are not the reason I love the series so much though.

Game of Thrones, Breaking Bad, and Rick and Morty all have some amazing romantic story lines. Alright no they don’t but I couldn’t think of any other TV shows. Anyway, the point is Chuck’s real secret weapon is its complex characters and their chemistry. Shazam star Zachary Levi wasn’t always quite so huge as he is in the DC film, but this is the show that he made his name in. In the titular role he brings so much boyish charm and plays a character with such a good heart and he has an incredible amount of character development over the course of the show. You really do get to know him and the supporting cast and very quickly the show becomes less about the espionage and more about the relationships.

That is what is makes any of the shows I mentioned special. Game of Thrones was so successful because we were so invested in Tyrion, Jamie, Dany, Jon, and so on. The reason the final season fell short for me is because all the character development and their interactions were rushed through to get to the key battle scenes in the show. If we had been given more of the characters, we knew interacting so well I think the entire season would have gone down better, although perhaps the lack of time put that out of the question.

Chuck takes the main characters at the start and puts them through so much emotional turmoil that by the end their bond is so strong you are so invested in what happens that the twists and turns at the end of the seasons leaves you torn apart. Chuck is special in that it’s a light-hearted, fun show that ends up packing an emotional punch.

Breaking Bad is what I would rate as the best show I have ever watched, but Chuck is my favourite. The reason it beats out Walter White is because of how relatable I find the characters in Chuck. I can empathise with Walter White and I understand the process he goes through, but to be honest my life has been lacking in teachers turned meth chef’s, although there is a couple, I wonder about…

The main character of Chuck is a lot like me if I had a PG filter on me and that might be why I love it so much, because I am awesome. I am joking, it’s because seeing yourself in a character is a brilliant way to feel invested in a show. That is perhaps what elevate Chuck above the comedy sitcoms like Friends or HIMYM, or even serious drama’s like Breaking Bad or Archer.

Stupidity aside, relatable characters in films and TV shows makes them so much more compelling. Even taking something like Joker, what makes that film so divisive and terrifying, is that there are elements of the character of Arthur Fleck that people can see themselves even if it’s just in the slightest way. I am not sure everyone is the same as me and perhaps how much we can relate to characters is as important for everyone else.

I was planning to write about A New Hope, but Chuck has taken over. Between this and my latest run through The Office mean all my content watching time has been filled up for the foreseeable future. I am going to have to pull myself away from those two shows to get something other than those two shows to write about. Tomorrow’s post will probably be all about the PS5 news, another topic I was going to write about today until Chuck appeared.

Hopefully tomorrow will be a more informative post.

‘Til then.

ChAzJS

 

Borderlands 3 Spoiler review

Finally, I have finished Borderlands 3. By finished, I mean completed all the main story missions and rolled credits. It honestly felt like a weight off my shoulders, right before the release of Ghost Recon. Now that it’s out of the way I can just focus on being incredibly excited to see Joker this weekend. I am going to go into the spoiler for the end of the game now so if you’ve not got there yet, don’t read on unless you don’t care for spoilers. To be honest, there isn’t much worth spoiling. 

Borderlands 3 ends how it starts, with loads of shooting.  The final battles and final levels are all just jump and shoot bullet sponge bosses, which is ordinarily fine, but being outshone by other bosses earlier in the game isn’t a great look for Tyreen and Troy Calypso. The twins who have been one step ahead of you and the Crimson Raiders all game finally confront you, but don’t use any of the powers we have seen them display through the games story cut scenes up to this point, its flabbergasting.

Finally found a reason to use the word flabbergasting.

Troy Calypso has become a powerful Siren in his own right and has been using an ability called “Phaselock” on an entire Moon to pull it towards a planet. Does he use this Phase lock on you, the one who has wiped out thousands of his minions and is now clearly the only obstacle in his way? of course not. It’s not even acknowledged as something he could do in the final battle with him.

Tyreen spends the game leeching peoples life away with ease, even stripping Crimson Raiders leader Lilith of her powers. You fight her and she has essentially become a god we are told. Well tell that to my machine gun. She is the final fight in the story mode, and it’s one of the easiest fights in the game, perhaps surpassed only by Troy. I didn’t come close to dying in either fight and all they involved was jumping over some sweeping attacks and running in circles and shooting them.

Perhaps I had overpowered weapons and a higher-level character? Well according to the game I was levels below both Troy and Tyreen, and my guns even lower than that. The guns are the only reason it was slightly enjoyable to play through, as I was continuously throwing my Tediore submachine guns around, so I had a mini army of turrets. The range of guns really is this game saving grace.

I must point out that I didn’t want to be pummelled Dark souls’ style in Borderlands 3, I just wanted to see something a bit different for the final few fights. There is a Vault monster earlier in the game where the attacks it has are wildly varied, and then it affects the actual battle area you are fighting in and you have to think about what you are doing and where you are positioned, as well as pumping him full of bullets, and fighting off minions. It’s a challengingly fun boss fight, and me and a mate played it and really enjoyed it. That high bar is never touched again, and it is a more intimidating presence than the “Destroyer” that is spoken about and then revealed at the end.

Mechanics aside, the story is quite good, and I found it entertaining and its attempts at an emotional twist at the end are well done. I am not entirely sure what or how Lilith does what she does, but it certainly looks cool. Borderlands has set up Siren’s to be this bad ass thing, but I have no idea what their powers are supposed to be. They all seem to be capable of whatever the story requires of them. The main issue I have with the story in Borderlands 3 is that the character you play as, the one doing all the work, is completely unimportant to the story. You’re referred to as Vault Hunter all game, not by the name of the character you chose, and you’re not in any of the cut scenes.

It’s so odd, you spend 20 minutes fighting a boss battle, only for your guy to be completely ignored in the scenes. Quite what the point in all the customisation was is beyond me, as you only ever see your character when you perform an Emote or get into a vehicle. I played as Zane, and early game I felt like there was a connection brewing between Zane and Ava, a parent daughter type thing, and perhaps that was intended. The final missions she comes along and maybe that was supposed to pay off there, but due to Zane being missing from every cut scene. I felt sort of detached from the main story. Sure, Tyreen and Troy did some awful stuff, but no character has ever shared a scene with my green haired bad ass, so why do I care. It feels like I was playing as a mercenary whose job was to do the shooting for Lilith.

I feel like I am being harsh on a game I did enjoy playing, but it’s because the potential for this game is sky high. Better writing more intelligently set up boss fights with some challenging mechanics in there and including your character in the story would have made this a 10/10 game of the year contender. As it is, it’s a solid game, and a good return to a really fun universe. I hope the next borderlands game takes what 3 has achieved and really builds on it. Perhaps giving us the chance to make a completely new character and make them have whatever abilities we choose. It would be something new, and the range of characters we already have is certainly one I want to see more of.

That’s it for Borderlands 3 for me, and therefore this will probably be the last post about the game for a while. Hope you’ve enjoyed reading it!

‘Til tomorrow.

ChAzJS

 

Episode II: Not all bad.

As hinted at yesterday, today’s post is about Star Wars Episode II. When I was 9 years old this was everything to me. It has lots of fight scenes, insect people, lightsaber’s coming out of all its orifices and Yoda flipping about like a bouncy ball launched into a cupboard. How does 26-year-old me feel about it? 

Well as it happens, I didn’t think it was too bad. The film starts with an attempt on Padme’s life, and the trauma she goes through leads her to mistakenly marry an immature child she met 10 years previously and has had no contact within the intervening years. At least that is what I must tell myself to buy into any of the romance between her and Anakin in this film. There are poorly written lines in most films, but somehow George Lucas saved all his worst lines for use exclusively in scenes between Anakin and Padme, when they’re supposed to be falling in love.

That criticism extends to the next film in the franchise but more on that another time. As for this film, that whole story line with them falling for each other is what punches this film down to a 5 or 6 out of 10. The rest of the film is a fun time with some heavy plot convenience, but I found most of it to be forgivable.

Attack of the Clones introduces us to the prime Ewan McGregor Obi Wan we all remember, with that beard and that hair and that voice. He reaches his peak in Revenge of the Sith, but his step fatherly relationship to Anakin is where the film gets a relationship right for me. You feel he cares for his protege deeply and is struggling to be the teacher he wants to be at times, with his pupil showing some signs of teenage rebellion. This film makes me very excited to see the Obi Wan series coming out on Disney Plus in the next few years, as you just want to spend more time following McGregor around on his adventures.

The entire section of the film with him hunting down Jango Fett (#TheBetterFett) I found entertaining, and if that’s a hint at the kind of things we could get from an Obi Wan Series I am all in. Also, the sound design of those bombs (seismic charges I believe to the nerds out there) that are deployed in the asteroid field is just something else. What a boom.

Hayden Christensen plays Anakin with a lot of commitment but I think the direction he is given is just all over the place. I think what we were supposed to see is a character who is being torn between the various desires he has and knows what’s right but also can’t ignore his feelings like he should be able according to the Jedi. It’s a role that requires an actor to be able to indulge themselves and really develop it from within themselves. I think director and creator George Lucas, for all his creative genius, may have struggled to get the best performance out of Christensen here. It feels like he was told to stick to the script word for word and to say it exactly how Lucas wanted it to sound, rather than giving him the script and letting him understand the character.

Sometimes it works, sometimes it feels wooden and jarring. It goes back to my comments yesterday about Jar Jar Binks (Who does appear briefly in this film in an unoffensive way). It takes a strong personality to stand up to a director and say, “no I think it should be done this way”, especially when that director is George Lucas who created this entire franchise that may make or break your career. This is all just my read on it though, and maybe this is just the best Hayden Christensen could do.

Wooden Anakin aside, the film develops some of the characters we met in previous films quite a bit, with Mace Windu and Yoda the clear leaders of the Jedi. What I have been enjoying most about the prequels though is Palpatine. Perhaps as a child I just didn’t notice it, but this entire trilogy isn’t the story of Anakin turning into Darth Vader as it seems. It’s the story of how a senator called Palpatine manipulated and rose to power and building the foundation of the Empire that we saw in the original Star Wars in 1977.

Ian McDiarmid in the role of Palpatine is really something. When you realise, he is consistently playing everyone in the room it feels like a different thing all together. I would love to have seen these films focus more on him, give him a little more to do and let us see him planning it out behind the scenes. As it is these films almost try to surprise you that he is the emperor when it seems obvious to me. I am a huge Star Wars nerd of course, so perhaps I am not the one they are trying to get one over on.

The last half of this film, when Christopher Lee is introduced as the Classy Count Dooku, is just one continuous ramp up of the action. From Anakin and Padme fighting their way through a droid building factory, to the climactic battle, there is not a lot of time for us to slow down. and process what’s happening. It’s an action-packed finale and for the most part it works. There’s a lot of digitally created fights, with flocks of droids doing battle with battalions of clones, but it all adds to the sense of scale and if you can look past the dated special effects it’s a decent effort.

There are a lot of cool moments and situations, the monsters fighting Obi Wan, Padme and Anakin lead right into that moment. The point at which 9-year-old me lost their shit. When I see 100s of lightsabers ignite around the arena and think “Oh damn it’s on now!”.

After that, we get a curved lightsaber handle, that seems to add little to the weapon at all, wielded by Count Dooku as he frankly batters Obi Wan and Anakin. Anakin wielding a blue and green lightsaber at the same time is cool, but again he is just being played with by the bad guy. Here we get a situation where he could have easily murdered them both and been on with his business. Instead he toys with them long enough for a little green dude turns up and shows off his power.

The best moment of the film for me is when Yoda opens his coat to reveal his kid sized lightsaber, and then it whips through the air into his hand. He then proceeds to bounce around and the fight is rather hard to follow, but it does feature some excellent faces from Christopher Lee. The film kind of ends on a stutter, with a few things hurried through, including Anakin marrying Padme right at the death of the film.

All in all, I think my appreciation for the prequels is increasing, but I can still recognise that these films are just not that great. The world they’re set in, the characters and the story are all quite good, I just think this film has been executed poorly. The two best films in the franchise were written by Lucas and directed by other people. Perhaps that is the formula that should have been used for the prequels as I just think someone who’s skills were more attuned for Directing rather than creating like Lucas’ skillset is might have taken these films to another level.

Anyway, that’s enough about Episode II, I have Episode 3 in my head now and I will talk about that on Friday. I will give it a break from the Star Wars talk tomorrow!

‘Til then!

ChAzJS

 

De Good, De Bad, and De Niro

How on earth Arsenal didn’t win the North London Derby is beyond me. We dominated spurs (although you wouldn’t think so from the Match of the Day highlights) but a mixture or Hugo Lloris heroics and poor decisions in the final third ruined my plans to enter the office this morning wearing Arsenal’s beautiful bruised banana kit. 

In order to get over this frustration, I decided to settle down and watch Taxi Driver. A film about a man slowly going insane, which is a rather perfect reflection of what being a football fan is like.  The film itself is one of many classic films that I haven’t watched previously, so I was also just excited to watch what is considered by many to be a very good film.

I have to say it’s one of the first movies from the 70’s that I have been able to sit through without being put off by the visuals. Movies from that time are obviously not quite the same as the 4k beautiful shots we are used to now, and for some reason that just feels a little off to me if the film doesn’t grab me. Once Taxi Driver gets going though, I understood why this film is so revered. The performance of Robert De Niro is incredible, and he becomes the character of Travis Bickle. Nowadays, De Niro is a hugely respected actor whose most well-known roll is the dad in the Meet the Parents films, so it was awesome to watch the film where he earned all that respect.

I know he is also in The Godfather Part II, but I haven’t been able to bring myself to watch that since I watched the original Godfather film. That first film contains so many amazing elements, but I think the style of film making at the time and the way the industry has evolved make it a very tough film to get through. It’s just two minutes shy of three hours long, but when you’re used to the speed of today’s films, it feels so slow.

The film lingers on a shot for 10-15 seconds, to immerse you in the scene, which is an understandable tact to take, but to me it just feels like the editing is poor. This is not true of course; at the time this is how films were made. When you’re used to the quite cuts and fast progression between scenes we have now, The Godfather feels like a slow trudge through the story which could be shortened but maybe 40 minutes by a skilled modern editor without losing too much. Maybe this is blasphemous to some movie aficionados out there, but I would watch a modern edit of the Godfather in a heartbeat over the original, if it contained the same story and showcased the performance of Marlon Brando.

Given my discomfort watching older films, you may wonder what drove me to watch Taxi Driver last night. Well perhaps predictably it was the Joker. The first reviews for the new Joaquin Phoenix led film dropped to my, and a lot of other peoples, surprise over the weekend. For context, this film is still, even today, a full month away from release. Letting people put up their reviews this early is a show of brazen confidence very rarely seen in the movie industry and suggests Warner Bros know exactly what they have with this movie.

By all accounts, what they have is an absolute masterpiece. Reviews from the people I follow have been praising this film’s style and story, but all the main comments are about how brilliant Joaquin Phoenix is in the role of the Joker. I mentioned last week how excited I was to see this flick, but now I want to go into a coma and wake up on release date as there is just nothing else, I would rather do with my time then see this film.

Phoenix is one of the most talented actors around, so I knew there was a chance of something special when you have someone that talented commit to this character. The film is apparently 99% Joaquin Phoenix, as in he is in every shot. That is exactly what you want from a movie about a character so complex. Watching Taxi Driver last night, I started to understand why this type of film was an inspiration. It’s focused completely on De Niro’s Travis Bickle, just as Joker is front and centre of his film. The way it follows his decent into insanity is expertly done in Taxi Driver, so to know this kind of attention to detail is there in the Joker film really puts this top of my most anticipated list.

Another reason for Joker now topping my anticipated list, even over The Rise of Skywalker, is the comparison’s it’s getting to my favourite movie of all time, The Dark Knight. Any Joker performance from now until the end of time will be compared to Heath Ledger’s amazing work in The Dark Knight, so this one is no different. Where this might differ from the rest of Joker actors though, is that Phoenix is being touted as delivering an even better performance.

Time will tell if I agree with that assessment, but I do need to spend the next month trying to forget about the film. I want to go in with no heavy expectations on the film so I can enjoy it as much as possible.

If Arsenal would have lost yesterday, I think I may well have begun my own Travis Bickle like descent into madness. Mkhitaryan needs to get to fuck. Comes on and runs around like a headless chicken with the touch of Romelu Lukaku. Not to mention Superman lookalike Granit-for-brains Xhaka. Spent 90 minutes on the pitch, launching himself at the Spurs players arse first and then acting surprised it didn’t work. Thank fuck for Aubameyang, Lacazette and Guendouzi.

I promise I will have cooled off on the Arsenal stuff by tomorrow.

‘Til Then!

ChAzJS

 

This week in Gaming – 15.02.2019

I love video games, and I love the industry news and events that come up, so I am going to post a round-up of stories that mattered to me in the last week in the gaming world. This week Activision Blizzard piss off the entire industry, Respawn take on Fortnite, and Nintendo announce new(ish) Zelda and Mario games. 

This week has been a tumultuous one for the industry, with Activision Blizzard’s earnings call with investors causing controversy. The short summary of the story is that Activision have had a record year, with huge profits, and their reaction to this news is to fire roughly 800 members of their staff. On the face of it, it’s an extremely unethical and irresponsible move from the people in charge at Activision Blizzard.

The business side of things, it seems like their reasoning is relatively sound. They are planning to cut down costs whilst producing more games, which is an understandably attractive proposition for any business. The worry here is that you cannot increase production, cut costs, and still maintain the quality of games that we, video game players, demand.

To play devils advocate, they have just lost Bungie, and the Destiny franchise has gone with the developer. It wouldn’t surprise me if some of the layoffs are related to the marketing side of Activision that were focused on the Destiny games. However, Activision CEO Bobby Kotick inferred that despite “recording record results” they still fell below the expectations for 2018, leading to revised, lower expectations in 2019 and this is why they are “restructuring”. Kotick avoids the words layoff and firing very purposely, spinning everything to a positive for the investors he was speaking to.

The people being laid off are all talents, and I am sure will find roles elsewhere, but its a measure of the unrealistic expectations the big video game companies have. They are not content with making a lot of money, they need to make all of the money. Every year has to be bigger, exponential growth is the target, and that is not an attainable one. Their “ambition” is much more suited to the word “Greed”.

Apex Legends FTW

In much more positive news, Respawn (creators of the underappreciated Titanfall franchise) dropped their take on the Battle Royale craze that has a hold of the gaming world lately with Apex Legends. They are not the first to jump onto the wagon of course, even Fortnite was after PUBG, which itself was a mod for another game before that.

Apex Legends takes the basics of the game, i.e. drop in a large map, scramble and scavenge for weapons, ammo, and armor, then fight it out/hide in a small room until you’re the last one left standing. Apex’s unique selling point, and the ace up its sleeve for me, is the hero shooter mechanics they introduce. Blizzard’s Overwatch game is the best example of a Hero Shooter, and what Respawn have done is take the best elements of that genre, and smash them together with the Battle Royale genre, and make it work perfectly.

I have played a fair bit of Fortnite, a little of PUBG, and a lot of Overwatch back in the day. Apex Legends is as accessible as Fortnite, as fun as Overwatch, and as intense as PUBG. I haven’t enjoyed playing any of the other games on my own very much, but Apex makes playing with randoms in your trio incredibly easy, all without having to use your mic. The RB/R1 button is used brilliantly to communicate with your teammates in a way that is actually effective.

The shooting mechanics are solid, better than Fortnite and PUBG, although perhaps a little behind Call of Duty Blackout. There is no building to master here, the main barrier to entry in Fortnite, and the class abilities are useful without ever feeling overpowered. It’s a very solid game, a great foundation for Respawn to build on and create a rival for Fortnite’s Battle Royale crown. At the moment there is only one game mode, but I expect to see a lot of support for Apex, just like Epic offered with Fortnite.

Nintendo New Game News

I recently sold my Nintendo Switch, as it had been sitting gathering dust for the last 6 months after I had finished with Overcooked. Smash Ultimate is fun, but i have a friend who owns it, and playing alone did not appeal to me at all. So after this weeks Nintendo Direct announcements, I have to say I am… happy I made that decision.

Fire Emblem has never been a franchise I know or care much about and it’s never appealed to me, but there is a lot of news for that out there if that’s your kind of game. There are 2 games I was intrigued by in the direct, Super Mario Maker 2 and Tetris 99.

Mario Maker seems like a great idea, allowing the huge community to create their own Mario levels will lead to some brilliant and creative experience’s. The Little Big Planet franchise had its hooks in me for a hot minute back in the PS3 days, playing other people’s creations was really entertaining. I was never a creator myself, but it was a really cool idea. Mario Maker aims to capture that promise, and deliver it with the polish we expect from the Mario franchise.

Tetris 99 I don’t fully understand, but it sounds fascinating. Essentially its Tetris Battle Royale. 99 players all play at the same time, the winner being the last one out I assume, or perhaps there is a timer and it’s whoever has the highest score in that time. Its a clever way to make tetris competitive, and it’s the only reason I miss owning a switch right now.

The other announcement people might really care about is the remake/remaster of Links Awakening. I never played it, I have never really enjoyed a Zelda game and the art styled doesn’t appeal to me, but I know I am very much in the minority on this one. For those of you that want to relive the 1993 Game Boy classic can do so later this year.

That’s it for this week in gaming, thanks for reading!

Credit to Kinda Funny Games Daily, Kotaku, and The Verge for some of the information above. 

 

 

Netflix’s The Punisher Season 2 Review

Netflix have recently announced the cancellation of a number of their Marvel show’s, with Luke Cage, Iron Fist and Daredevil all being scrapped by the property. There is no word yet, but I am pretty sure all of these series are done for. That being said, The Punisher was one of the best series out of them all, with only Daredevil beating it for me, and one of those Daredevil seasons featured Frank Castle heavily. 

After the first season surprised me with the story driven deep dive into Frank Castle’s mind, I was open to whatever story the show runners decided on. From the start of Season 2, I found myself really intrigued by the story. With Frank seemingly close to getting away from his bullet-filled past, the opening episode is quite different, but I thought it was a great way to show that Frank could have a different life, but he is constantly drawn to violent situations.

Jon Bernthal is once again superb as Frank Castle, he has completely owned this role and made the character infinitely more interesting to me. Before this version of The Punisher was brought into the world, he was always a character I felt was extremely thin with not much to explore beyond the rain of gunfire he brings with him. Bernthal plays a man haunted by his past, desperate to get away, but almost subconsciously drawn towards a world he thrives in.

Frank ends up looking after a young girl, around the same age his daughter would have been, who is played excellently by Giorgia Whigham. She’s a street smart kid, and doesn’t initially trust Frank, and why would you, he kills anyone he gets into a fight with. The dynamic between them is the driving force behind the entire season for me. There are elements of Joel and Ellie from The Last Of Us, and I really enjoyed that element of the show. She is there to remind Frank to stay on the right side of a line. He does kill, but he kills when he has to, not just because he can, leading to some of the best moments in the season.

Micro from Season one is nowhere to be seen, or been mentioned but returning from are Dinah Madani (Amber Rose Revah) and Curtis (Jason R Moore) who are both there to help Frank despite his grumbling. Curtis has a much bigger role this season than he did last, and I liked the way he interacted with Frank and the arc his character goes on is genuinely interesting. Madani however, I found a little odd. There isn’t much for the character to do, she is essentially the worst Homeland Security Agent in history, who is always a step or three behind the protagonists and antagonists in the story.

Speaking of Antagonists, Ben Barnes returns as scarred ex-best-friend of Frank, Billy Russo. I really liked the actors performance, but I did find the story with him and his psychiatrist to be a little repetitive. At the 5th or 6th time we see them discuss the past, the bit begun to wear a little thin and I would have rather dedicated more time with him and Frank perhaps having more interaction. In addition to him, we have Josh Stewart playing a devotee of the Church, whose motivations are initially unclear. I won’t say too much for fear of spoilers, but I found his characters arc grew into the season. His  ominous presence begins as a distraction and uninteresting, but by the end I was keen to learn more about the character.

Being a Netflix Punisher season, the action is something to behold. Every gunfight, hand to hand brawl and car chase is shot and edited masterfully. I loved all of the action, and could have gone for a bit more although that’s not to say the show lacks it in any way. In a similar vein to the entirety of the Punisher show, it never quite reaches the heights of Daredevil’s one shot masterpieces. The brutal action of the punisher is still very entertaining, although be warned, this is maybe the bloodiest of the seasons Netflix has produced.

All in all, I had a great time watching this season. The melancholy feeling knowing this may be the last season we get from this is hard to avoid, but even though a season 3 is easy to get to from where our characters are left, I am happy with the finale of the show. Perhaps the biggest indication of how much I enjoyed it, is that I finished the entire 13-episode run by 3pm on saturday, just 31 hours after the show dropped on Netflix in the UK.

Good: Jon Bernthal is fantastic, along with a number of the rest of the cast, and the story with him and Giorgia Whigham is great. Action scenes are brutally brilliant.

Bad: Madani a wasted character for me, and even though I was hooked throughout, there is probably 2 episodes worth of time we could have saved with some editing and not beating us over the head with the Jigsaw character’s memory loss.

9/10 – Great series and I hope we get more, but if not The Punisher ends on a high.