Sonic the Hedgehog Review

Sonic was never too big of a deal to me. I remember playing a lot of whatever the Dreamcast game was back in the day (what an underrated console that was) but beyond that, I have no attachment to him. Somehow, the trailers for this film had me intrigued, and I went to a 4DX screening of it which made the experience a little more memorable. 

The 4DX thing is a normal cinema except it has moving chairs with fans and water spray and air shooting out of the seat beside your head and the back of the chair poking you occasionally. To be honest I knew nothing about it going into it, so when I was being flung around in my chair like a rag doll within seconds of the movie starting, I was a little taken aback. I tried to ignore it for the most part, but it added to the experience, and being a film that contains a lot of Sonic running around at high speed, it was a lot of fun.

The plot fits neatly into the “Don’t think about it too much” category and the coincidences that are required for the plot to happen are a touch too convenient but it works well enough to push the characters together and that’s when the sparks fly. Sonic himself keeps to the right side of annoying, which is a careful line they had to navigate. When you start to think he’s getting a bit annoying, he does something funny or cute and keeps you on his side.

James Marsden will forever be looked at a wasted Cyclops in the X-men films, but he fits well in this role. He’s goofy, fun, and plays well off Sonic, which is a compliment especially when you consider there was nothing for him to act off for the most part in the film. He has good chemistry with everyone in the film and plays well off Jim Carrey’s Dr Robotnik.

I never really expected this character to work. I fully expected a completely over the top Jim Carrey performance that would be fun but dumb. To my surprise he is a legitimately good villain and will entertain kids no end. There is one line he has in response to someone mentioning breastfeeding that I have found myself chuckling at in my own time since the film.

I was surprised how enjoyable the action was, it’s all simple stuff, but the little touches added a lot to it for me. It’s good nostalgic fun to see the moves I remember from the game, like Sonic curling up into a ball and launching himself at objects, happen on screen. There are probably tonnes more of this kind of Easter egg style secret that I missed because I am not that well versed in the lore, but I found myself having a good time.

Sonic the Hedgehog is a film that knows its place and doesn’t try to break the mould. For a film aimed primarily at kids, it’s surprisingly fun for adults. It’s a film that all the family can enjoy and that’s exactly what it’s trying to be. It’s not aiming to make you feel a deep emotional connection to something or provoke any moral questions. It’s fun though, and that won’t change regardless of the audience’s age.

Good: Surprisingly entertaining and I would be happy to watch a sequel. Probably as good a sonic movie you could make.

Bad: Too much convenience and forgotten plot threads. Some egregious product placement.

7/10 – Sonic 2 is a film I want to see

 

Dolittle Review

Off the back of Robert Downey Jr’s turn as Tony Stark in the Marvel Cinematic Universe, he decided to step into the role of an eccentric genius. Doesn’t sound particularly different at first, but just 30 seconds of a trailer and you’ll know this is a far cry from the character who snapped his fingers and made $2.9 billion last year.

Downey has had an interesting career over the last decade when he’s stepped outside the MCU. The Judge, Due Date and Sherlock Holmes have all been similar degrees of okay without setting the world on fire. Well I can say that with Dolittle, he’s broken that trend. Unfortunately, I am not stating that as a positive.

His characterisation of Dolittle could be charming, but his voice never quite settles in any one place. It’s a Welsh accent, but it also seems to have been dubbed in over whatever Downey’s original voice was. There are points when his lips don’t seem to match what’s being said, and a surprising amount of his lines are said whilst his face isn’t visible.

The animals are all well animated, and they are the best part of the film for the most part. They’re all doing a bizarre assortment of tasks, and even when went in knowing what this film was and how ridiculous the premise is, I still found myself being surprised by the things I was watching.

There is a plot; Dolittle must travel to a place to get a thing to save the Queen or he loses his home. That’s all of it and expecting anything more intriguing or any kind of twist is only going to set you up for disappointment.

The climax of the film is unbelievable in the sense that I genuinely can’t believe I saw a kid’s film where the climactic battle was against constipation. I wrote that sentence and had to stare at it in disbelief for a minute.

Dolittle will be a great way to distract kids for just over an hour and a half. The short run time means it goes by pretty swiftly and just as I needed a pee it finished. That might be my favourite thing about the film, which kind of says it all.

Good: Kids will have fun with the animals.

Bad: Forgettable, Downey is just too much, and a steadily rising level of ridiculousness that makes no sense.

3/10 – Does little.

Birds of Prey: and The Fantabulous Emancipation of One Harley Quin – Review

Oh, Suicide Squad. Remember that garbage pile? Well Birds of Prey is Warner Bros latest attempt to put things right with their DC Universe. Essentially being a Margot Robbie led Harley Quinn film, they decided to bet on one of the few things to come out of Suicide Squad with any praise. The trailers were colourful and crazy, two words synonymous with Harley, so that gave me some hope that this would be a fun time.

Having spent my week watching Drama’s and Best Picture contenders, Birds of Prey was been a great palette cleanser. The 6th film of my week was by far the most colourful and striking visually. Describing this as a palette cleanser is perhaps doing the film an injustice, it’s more like I have spent my week eating Michelin star cuisine, and this is a chicken vindaloo from a takeaway.

It’s loud, bombastic and fast paced. The films firmly focused on Harley Quinn for the majority of the film and having just broken up with Joker, she’s trying to figure out what her life is now she’s no longer the clown prince’s right-hand gal. The Joker’s shadow hangs heavy over the both Harley’s mind, and on the film in general. You can tell they’d have liked to use the Joker for parts of this film but due to the controversy over how Jared Leto was received they just kind of awkwardly step around it.

Once Harley and the film are into their own stride, Margot Robbie takes over completely and is clearly enjoying her time as this character. She does all she can to embody the anarchic yet fun personality the character has always had. She uses Guns, exploding glitter bombs, Mallets and baseball bats and you believe she’s just having a great time doing so regardless of who she’s using them against.

The rest of the birds aren’t developed nearly as much as Harley, but they’re all fun in their own way. Rosie Perez as frustrated detective Renee Montoya is a believable bad ass, and Mary Elizabeth Winstead is entertaining and then funny when needed, and she plays it really well. Those two are pretty undeveloped throughout the film. Both are given backstory through the running voice-over from Harley Quinn, but they aren’t really given much to do besides that.

Jurnee Smollett-Bell plays Black Canary and of the other members of the Birds, her character came closest to having an arc worth noting. Youngster Ella Jay Basco plays Cassandra Cain and does well with what she’s given, but she is essentially a plot device for large parts of the film. They have good chemistry together, but I’d have liked to see a little more of their stories rather than rely on voice-over from Harley.

I understand why this film was so focused on Harley, as she’s by far the biggest named character in here, but her character is the only one we see go through anything and show any growth of note. The rest of the film adopts a “Tell, don’t show” approach which is the opposite of good storytelling in film.

As the main protagonist, it’s odd to find yourself cheering for her as she battles her way through a police station or blows up a chemical plant. She’s a psychopath and a serial killer, but she’s fun to watch. When you have such a flawed protagonist, you need a real dick as the antagonist, and this time round we have Ewan McGregor chewing up scenery and oozing arsehole-ish charisma.

He plays Roman Sionis, also known as Black Mask. I can’t say I have read many comics featuring him but from what I know of the character he’s a crime boss and a pretty feared one. His right-hand man is Victor Zsasz, a character who keeps popping up in live action batman media that doesn’t contain batman after his appearance as a key character in Gotham. That’s not really relevant, I just find it interesting how he keeps popping up.

McGregor clearly just threw himself into the role of being a dickhead, as the character has no redeeming qualities. They say the best villains are the hero of their own stories, well there is no way he is a hero in anyone’s eyes. He is fun to watch, as he always is in any role he pops up in, but there just isn’t much to the character other than he wants something, and these women are in the way.

That brings me onto the heavy-handed Women V Men angle this film takes, and whilst I have nothing against it being this way, it’s never really acknowledged. Sionis builds an army of mercenaries, but none of them are female. There is one moment when a female is trying to get out protagonist’s and it’s a short exchange with a stick of dynamite. This film doesn’t give enough time to developing the group and making them feel like strong characters. The bond between them isn’t there, we are just told they’re a group of strong people, and then they fight their way out of situations to prove it.

When you focus a film so much on the plot and what the antagonist is after rather than the characters, you need it to be an interesting plot. Roman Sionis, whilst definitely a dickhead, just want’s something. Harley and the Birds of Prey are between him and that, and that’s the conflict. There is nothing deeper at play. That type of plot is fine in films where the characters are strong and well developed throughout the movie and it becomes more about them and their interactions than the plot, but Bird of Prey doesn’t do that.

Birds of Prey is an entertaining film and it’s a feast of visual candy for the eyes. Harley Quinn is front and centre, and perhaps that’s needed for the first one of these films, assuming there will be more. There is potential for a franchise here, as the characters have enough to intrigue me further, just I wanted more in this one. This film gets much closer to where Suicide Squad was trying to get to, and if you’re into the superhero genre, it’ll be a lot of fun for you. If only this had come out years ago, pre joker, and they just hinted at him throughout before a reveal in The Batman next year. If Only.

Good: Margot Robbie is electric; the cinematography and colours are a treat and the violence is really well executed. Also a great soundtrack.

Bad: Underdeveloped characters for all but Harley, and a very basic plot.

7/10 – Colourful Fun

 

Marriage Story Review

At last I have completed the list of the Best Picture nominees with the one I could have watched ages ago on Netflix. Fresh from watching Parasite, I got comfortable on the couch and watched Marriage Story. The movie stars Scarlett Johansson and Adam Driver as a couple going through a divorce whilst trying to make sure their son is happy. 

There is only one place to start when talking about this film, and it’s with the previously mentioned performers. Scarlett Johansson was in the most commercially successful movie of all-time last year, and yet this is the role she should be remembered for. This is her best work, and she fully deserves the nomination she has received for it with the range of emotions she portrays in this film. She plays Nicole in such a real, believable way that you don’t see the actress and you’re invested in her and when she’s on screen you just want things to work out for her.

As for her co-star Adam Driver, it took me a few minutes to get over the Kylo Ren factor. Having only previously seen him as the Star Wars character, him popping up and immediately talking about what he loves about Nicole is jarring. At first it felt like an SNL sketch, and I was waiting for the “Gotcha” moment. It never comes. What happens is just like ScarJo as Nicole, Adam Driver disappears, and you just see his character Charlie (Great name).

If there is one scene this year that deserves an award for the sheer incredible acting and performances of those involved, it is in this movie. The argument that the two engage in is terrifyingly real. I’ve never been divorced, or married for that fact, but I have had arguments with people I love, and it’s one of the most difficult feelings we ever process. Things are said that you don’t mean because in that moment, just for a split second, you just want to hurt the other person. Somehow these actors manage to capture that sickening feeling and translate it into something on screen that you can feel happening. Writer Director Noah Baumbach wrote and directs a solid film, but their performances elevate it to the top tier.

Laura Dern in her role as ScarJo’s divorce attorney is as sharp as a pocketknife and is magnetic when she’s on screen, although it didn’t quite match the tone of the film all the time. One of the other lawyers in the film is played by Ray Liotta, and I found he stuck out like a sore thumb. He was just a bit too over the top and felt like a caricature of what his character was supposed to be.

In the courtroom scenes you a different side of divorce, where the lawyers are using every little piece of information they have to try and turn the case in their client’s favour. What I don’t recall seeing in most courtroom scenes is the pain on the faces of the people involved, and that is clear to see here.

What it made me feel, and think about, is that feeling of loving someone but knowing it isn’t meant to be. It’s a personal thing that may hit you differently depending on where you are in your life, but for me it came at an oddly profound time. It also made me think about my own parents’ divorce, and how I have never even given it a second thought. Then I think to the odd moments I remember of them interacting and how weirdly nice it was to see them get on, and that feeling is something Marriage Story managed to evoke in me in its final act.

Marriage Story is an engrossing film, and one that crosses a few different boundaries. It’s funny, its heart-breaking, it’s the reveal that Adam Driver can sing pretty well, and that alone should be enough to make you want to watch it. It’s on Netflix, so nobody has any excuse for this one, it should be on everyone’s lists.

Good: This might actually be two real people who happen to look like Scarlett Johansson and Adam Driver, their performances are just that good.

Bad: The Lawyers were a little too evil and conniving to believable in such a grounded story.

9/10 – Statue Worthy Film. 

 

Parasite Review

I have watched shamefully few foreign films. That may well have to change after my experience watching Parasite. A Korean film I watched subtitled, it’s one of the last one of the Best Picture nominated films I had to see before this Sunday’s awards.

There have been very few foreign films that I have ever been able to get into. I tried Roma last year, and it just didn’t work for me as it was black and white and Spanish, and it just didn’t grab my attention how I thought it would. What shocked me quite a lot with Parasite, is how fast I completely forgot about the language. I was reading the subtitles without a thought and admiring the beautiful cinematography and excellent performances.

Sometimes you get a feeling in a film early on that you are going to really enjoy it. Parasite gave me that in minutes. The opening of the film gives you the feeling that this family are real, their relationship’s all feel very genuine. The basic premise of the film is that this poor family spot an opportunity to make themselves money working for another, much wealthier family. The twist is that they all get jobs without the wealthy family knowing they’re all related.

I won’t say any more than that, because the way this film plays out with all the twists and turns and surprises and early set ups paying off, it’s just fantastic. Thinking about the film after seeing it, and you will, you will realise that everything that is shown on screen is so deliberate and precise. There is very little fat, this is a lean, trim piece of prime meat that is served up perfectly for you to consume.

All of the actors involved are magnificent. Every member of both families is interesting in their own way and the film does a great job painting them both in shades of grey. You can make your own decision as things unfold, but in reality, they’re all doing what they think is best for their situation. It’s something I think few films have managed to nail so well. Even though the story is told from the perspective of the poor family, you never feel like this is a good versus evil story.

Parasite shocked me, I went into this film thinking I’d appreciate it, but not necessarily think it’s in my top 5 of 2019’s offerings. I can safely say it is, and it’s worthy of all the Oscar nominations it has received, and I think it has a real chance of winning best picture in a bit of a shock result.

If I had to pick something I didn’t enjoy in this film, it’d be some aspects of the ending. I liked how it ended, but the one of the events that propagated that ending just felt a bit odd to me. It’s possible I missed something somewhere, but it didn’t quite add up to me as I watched it. Thinking about it more and discussing it with friends, it makes more sense, and I am interested in seeing it again to watch it all unfold and see how these moments hit me.

Besides that, one, small, personal nit-pick, this is as close to a perfect film as it gets. Parasite makes you feel the full spectrum of emotions whilst watching it. The plot keeps on throwing surprises at you, and your attention is never anywhere but on screen. For a couple of hours, you are transported, you forget everything else except these characters and the world they live in. That is what cinema is all about, and its why Parasite is one of the best movies you can watch.

Good: Near enough everything.

Bad: One minor thing I didn’t like, and even that I can talk myself round on.

10/10 – One of the best.

The Lighthouse Review

I was feeling very apprehensive about my viewing of The Lighthouse. I was unsure what genre the film fit into, and the Black and white filter with an odd aspect ratio felt like a useless gimmick. Would this critically acclaimed film surprise me? 

For those of you who haven’t heard of this film, it’s about these two men who are working together maintaining a Lighthouse in the 1890’s, and the film shows their relationship and their descent into madness. Robert Pattinson and Willem Dafoe star as the two men, and I have to say they both are one hundred percent committed and go all in for the roles.

The cinematography is a big part of the film. The black and white filter adds to the feel of this being set in the 1890’s and the aspect ratio does genuinely add a feeling of discomfort and claustrophobia while you’re watching. Some of the shorts are beautiful to look at, and the score does a great job accompanying the visual storytelling. I do feel like the aspect ratio is a distraction, and I wanted to see the full wide shot of the beautiful landscape shots.

The story they’re telling though, is very hard to put a finger on. The films not actually that slow, but so little happens for long periods of the film. We see them carrying out odd jobs, Pattinson gradually getting more disgruntled with Dafoe barking orders at him, and the environment they find themselves in is a grim one for the most part. The titular Lighthouse, and the actual light inside it, are reserved by Dafoe’s character, and Pattinson is now allowed up there.

Ordinarily, I’d find this intriguing, and in fact I did at first, but then I found myself waiting for something to happen. The intrigue around what is going on is then broken by something otherworldly happening. I think the more fantastical elements of this film are meant to be figments of Pattinson’s imagination, but you’re never sure. Perhaps this is intentional, to try and blur a line between the reality and fiction in the characters mind, but it just seems odd to me. There are tentacles about at times, but it’s just there because they’re an unsettling thing to look at. I don’t expect a film to try and creep me out the same way I get a little unsettled when I come across the tentacles in my Calamari at a restaurant.

It never felt at all unsettling to me, it just seemed out of place. The lighthouse, the tasks, everything about the work they’re doing is so mundane and real that these unusual fantasy elements don’t sit right for me. The film does a good job of setting up this harsh, unforgiving place, that introducing these supposedly creepy elements just felt silly to me.

There are points when the characters go off on what are supposed to be Shakespearean monologues that just didn’t make any sense. They are full of big words and fun sounding syllables, but they come off as just rambling nonsense. I think that might’ve been the point, but it just did not work. There is this running thing with a seagull in the film, which is somehow trolling Robert Pattinson, but I never saw it as anything but a bird standing there.

The Lighthouse is a film that is trying to be clever, and for me it came across as artsy nonsense. The idea of watching two men driven mad is appealing to me. The lack of freedom, the longing for human interaction other than that of the person you work with all day the monotonous, horrible work and harsh conditions. They are all things that would contribute to it, but they aren’t what the film shows. It shows two men driven mad seemingly by some other force, and that just isn’t interesting to me.

I know a lot of people really enjoyed this film, and I am glad for them. To me this is a waste of two terrifically committed actors and will be my example going forward of amazing performances in a poor film.

Good: Performances and Cinematography at times.

Bad: Lack of a coherent story, weird scenes that don’t fit, Aspect ratio is needlessly distracting.

3/10 – Whatever this film is trying to do, it did not work on me. 

 

 

Queen & Slim Review

Now and then a movie comes out of nowhere and surprises you, and that’s sort of exactly what I thought Queen & Slim was positioned to do. Technically a 2019 film, just released over here in the UK in 2020 for the Oscar season, Queen & Slim is a stylish, modern take on the Bonnie and Clyde story on the surface. 

There is a lot of caveats to that. For example, the first scene of this film is the very first date that our two main characters meet. Played by the excellent Daniel Kaluuya and Jodie Turner-Smith, the two leads are sort of chalk and cheese, but find themselves pushed together as the events of the film unfold. We are never given their names, but they are the titular Queen & Slim.

Their awkward conversation follows them into the car and on their way home, when they are pulled over by a white cop. An altercation ensues, and things turn out badly with Slim shooting the cop in self-defence when the policeman decides to ramp things up by introducing his gun into affairs. To me this scene played out a bit odd, because I just struggle to believe this is how a police officer would act.

I am then reminded of the harrowing number of cases of black people being threatened and much worse by white cops in the US, and it really makes you lose a little faith in humanity. Something that on the surface to me seems completely unrealistic and against human nature, is just a fact of life for some people.

From that incident, Queen & Slim are on the run, and initially things are intense. The first act flies by, and then we reach the middle section of the film that seemed to drag a lot for me. Once their plan is laid out, we kind of have a good idea of where things are heading and for me, they just kind of slowly make their way through things. In this part of the film shows a bit more of Queens character, her previously icy demeanour starting to melt as she begins to get closer to Slim.

Their romance never quite felt genuine for me. There were cute moments sprinkled in but not enough for me to think that these two characters are in love to the degree the film tries to sell you. It felt too convenient for these characters to reach the point they do in their relationship in the 6 days over which this film takes place.

The side story, or rather side effect of the main story, is this cult following that Queen & Slim attain. As they travel south from Ohio, they encounter people who have heard of their exploits and for some parts of the black community they have inspired a sort of rebellion in them. This element of the film, while I think is coming from a good place, felt a little off to me. There is a scene that we see which is shocking, but as much because it doesn’t fit into the rest of the film as anything. Police Brutality is a real issue, and one that needs to be addressed. I just don’t know if the way this film portrays “Fighting” police brutality is a good message to be spreading.

Queen & Slim is a very interesting movie to watch, but I don’t know if it will stay with me the way I thought it might. There are scenes that threaten to make you cry or make you jump. The script has some odd moments, ones that I literally found myself scratching my chin whilst watching and wondering what was going on. The characters would be talking in a scene, and then suddenly they would stop talking, but the conversation would carry on seemingly in their heads. It isn’t addressed, but it happened, and I found myself thrown off by the characters on screen with their mouths closed but still hearing their conversations.

This is a film that is nearly very good, but just didn’t quite hit me for six like I thought it was going to at the start. It’s a good film that consistently shows signs of being great, but never makes it there. It feels like Queen & Slim was being positioned as an Oscar winner, and the lack of nominations it’s received tells you it never quite fulfilled it’s potential.

Good: Great performances and a well-made film, shines a light on important issues.

Bad: Unfulfilled potential, and the message feels a little heavy handed to me.

7/10 – A good film, and I am interested to see what the people involved do next. 

 

Booksmart Review

I missed Booksmart when it released in early 2019, and I shamefully have waited until now when it appeared on Amazon Prime to watch it. I’d heard nothing but positive things about this coming of age story so seeing it pop up on the streaming service was a nice surprise just before the Academy Awards this weekend.

Staring a cast of relative unknowns, and being director Olivia Wilde’s first feature length project, Booksmart has no right to be as genuinely brilliant as it is. Coming on the heels of me watching the second season of Sex Education, review of that here, Booksmart feels like it’s set in a very similar world. The 80’s fashion is toned down, but everything still feels a little stylised, everyone’s outfits are a little bit cooler than in the real world.

Amy and Molly are the two girls we follow through the film, played by Kaitlyn Dever and Beanie Feldstein, and they have really believable “best friend” chemistry. You immediately believe they have been friends for years and have the relationship that kind of time builds between people. They have been the bookworms, studying and forgoing the partying their peers are indulging in that we all associated with our college (High School) years. It struck a note with me because it reminded me of my college years, going around to a mate’s house and drinking alcopops and pretending to enjoy beer.

I also once woke up in the middle of the night feeling very unwell, so I staggered out of the room to find a toilet, only to discover a drum kit where I thought the toilet should be. In my head I then returned to bed and slept it off. In reality, as my friend discovered the next day, I had decided to return to the room, move aside the dressing gown hung on the door, and proceeded to throw up all over the door. I then replaced the dressing gown and went back to bed.

Allegedly, it’s never been proven.

Anyway, back to the film! Booksmart took me back to those days of being carefree and having no responsibilities. The characters of course don’t realise that, to them the graduation they’re about to have and the crush they have on their classmate are as big an issue as anything life will ever throw at them. When our lead characters decide that they’re going to let their hair down for a night and party for the first time, I found myself hopeful that they would have a good time.

Ridiculous situation’s come thick and fast for the girls, and the laughs follow each one of them. I found myself chuckling a lot throughout Booksmart, and a few times I was howling with laughter, quite a rarity nowadays in films. Sometimes they’re a little juvenile, but that’s my kind of silliness, and I think there is a scene somewhere in there that will make most people laugh at some point in the film.

Much like Sex Education, it isn’t all about the laughs. Booksmart explores the challenges of growing up in your teens with all the anxiety and uncomfortable conversations about sex and sexuality. The awkwardness of the romance is painfully real, and without really being able to judge, I think it does a great job with LGBTQ+ representation without drawing any overt attention to it. Early on there is a conversation about Amy’s crush, and it’s a girl, and that’s just how it is. Her sexuality isn’t a plot point, she has feelings for someone are, and that’s the important part of it, not their gender.

Booksmart is a… smart film about coming of age, and it approaches it from a different angle to most films I have seen in this genre. Combining this with Sex Education, this new wave of media about growing up that is directly addressing the most uncomfortable parts of that part of life is really refreshing. I loved this film, and I can’t see why most people wouldn’t.

Good: Funny, Heart-warming, relatable, great performances, surprisingly well shot movie and a great soundtrack.

Bad: A bit of a slow start had me checking my watch and staring at Instagram, but that’s all that stopped this being a ten for me.

9/10 – Near perfect coming of age film.

Once Upon a Time… in Hollywood Review

Django Unchained, Inglorious Bastards, Kill Bill and Pulp Fiction are among my favourite films of all time. They are all written and directed by Quentin Tarantino, and that made me very excited to sit down and watch Once Upon a Time in Hollywood. A Tarantino film set in the late 60s Hollywood with Leonardo DiCaprio, Brad Pitt and Margot Robbie? Sign me up. 

The film is an alternate reality version of the Sharon Tate/Manson Family tragedy, and it focuses on DiCaprio’s Rick Dalton, an actor whose career is slowly dying, and his stuntman body double Cliff Booth. Brad Pitt as Booth is a stark reminder that all men are not created equal. This man is in his 50s and looks absolutely stunning. There seems to be a flock of 50-something humans around now who look absolutely stunning, including J-Lo at the Superbowl last night. So glad that Kansas City won after Arsenal let me down earlier in the day.

Back to the film, DiCaprio and Pitt play off each other well, and I genuinely bought their friendship even if Cliff seems to be making most of the effort. He is employed by DiCaprio as a Driver/Handyman and you see his own life is pretty simple, and he has a dog, which makes him 100% more lovable. Pitt plays the role brilliantly and is magnetic on screen, stealing the show from the other talents in the film. I have to say he deserves all the praise and accolades he is being nominated for and awarded.

DiCaprio has moments of genius, but never quite matches Pitt’s performance, almost feeling a little like a caricature of a 60s actor at times. I think that’s sort of the idea, but it didn’t quite sit right with me for some reason even though I did enjoy his performance. He has arguably the biggest laugh in the film’s final act, and he also delivers a big emotional moment earlier in the film when his character is acting. He acts as an actor acting as a cowboy, but there is a moment in that scene where you actually feel like there is something else there and you find yourself feeling sorry for him in an odd way.

Margot Robbie plays the role of Sharon Tate, and in this film while she is great as always, she is completely unnecessary. I am taking nothing away from her performance, she’s great and stunning to look at and everything else, but I could not understand why this film needed Sharon Tate and the Manson murders in it. It could have just been a bunch of mad people trying to get at Rick and Cliff, without Sharon Tate’s involvement in the film at all.

The other issue with her role, and the role of women in general in this film, is that the camera spends most of the time on her legs and feet. I think Margot Robbie is possibly the most attractive woman on earth, but I found myself in shock at the levels of gratuitously long shots on her legs and feet. Margaret Qualley plays another girl, one of the Manson family, and once again there are egregious shots of her legs and feet.

It’s a common feature in Tarantino’s films to have a shot of feet, he likes feet, it’s his thing, whatever. But to me it signified this film’s biggest issue. Everything about this film is self-indulgent. Tarantino is one of my favourite directors, but to me this just felt too much. The first two hours are a slow, frankly dull series of events with a few highlights, but at 2 hours and 42 minutes, someone should have been editing this down to a comfortable 2 hours and 15. Off the top of my head there is no reason for Margot Robbie’s character, and there is a ridiculous scene with Bruce Lee, both of which can be cut.

That Bruce Lee scene is a 5-minute-long set up for a joke. It’s funny, its entertaining, but it’s completely unrelated to the story, it does nothing for it and I don’t understand why it’s there. Which is kind of where I land on this film, and that is something that really hurts to write. There is just too much of this movie that I found myself questioning why I was watching? Where was it going?

For the first three quarters of its run time, this film sits in the departure lounge. Eventually we jump into a jet and fly off, but it comes a little bit too late. The last 40 minutes are the kind of mad, frenetic incredible entertainment I watch a Tarantino film for, but when the price is 2 hours of standing still, it just was not worth the wait.

This film is a technical masterpiece, the production design, the sets, the acting, even the direction is fantastic. There is just no story being told here, nothing to pull on your emotions or give you anything to think about, it will make you laugh at times, and there are some really good characters in there, but this is a rare disappointment for me from Tarantino.

Good: The acting, the direction, the production design, the technical elements are great, and the main characters are fun, except for Margot.

Bad: Lack of an engaging story means it is 2 hours of characters talking about their past success, and then something entertaining happens.

6/10 – Technically great, Actually Boring.

 

 

Bad Boys For Life Review

Everyone remembers the song and the “We ride together, we die together” phrase, but does anyone remember much else about the Bad Boys films? I certainly didn’t and perhaps I have done myself a disservice by not catching myself up on the previous instalments in this Franchise? The question mark because I am not sure when something becomes a “franchise”.

What I do remember is the action was fun to watch, there was lots of one liners and jokes that get a laugh, and Will Smith and Martin Lawrence have good chemistry together. Well frankly I could just leave the review there because that’s kind of exactly what you get with Bad Boys for Life.

Will Smith & Martin Lawrence return after 17 years doing other things to varying levels of success, and I have to say their chemistry has remained. They exchange quips back and forth like old friends, and that makes for some fun exchanges in between the action. They are joined by a new squad of fresh-faced youngsters who are all fine, but nobody really stuck out as a memorable character. They all have a laugh or a moment, but nothing that made me remember their characters names.

If you’re happy to suspend your disbelief, 51-year-old Will Smith looks cool chasing and exchanging punches with a man a fraction of his age. This isn’t like Rambo, where you believe he’d convincingly beat the shit out of most human beings, this is kind of ridiculous. There is one point where Smith sprints so far on a rooftop that you’d think he should be playing in this Sunday’s Superbowl (GO CHIEFS!).

The plot exists, and I acknowledge that it does, but I can’t say it’s good or bad. Its functional, it propels you from one entertaining action scene to the next. As I mentioned last week when I wrote about The Gentlemen, this film to an even greater degree feels like a palette cleanser. It is something to take away the weight of the emotional and thought-provoking movies I have been watching lately.

I was surprised how often I laughed throughout the film, it’s funnier than I remember the Bad Boys films being. I couldn’t recite a line or tell you scene that really got me giggling, but again it’s just generally quite entertaining without making you think too hard.

Bad Boys for Life is an odd film to review because it’s the “finest” movie I have watched in quite a while. There is nothing bad in this film. The Plots thin, but it’s functional. The jokes aren’t hilarious, but they’ll get a little chuckle. The action isn’t mind boggling, but it’s fun to watch unfold. The characters aren’t one note duds, but they’re not a fleshed-out ensemble cast either.

People will come to this film for Will Smith and Martin Lawrence’s chemistry, and it delivers that bromance in a tidy and easy to consume package. If it’s something that interests you, grab some popcorn and enjoy the ride. If you’re dragged to see this it won’t offend you, you might even have fun.

Good: Martin Lawrence and Will Smith are fun to watch throughout.

Bad: Unremarkable and swiftly forgotten afterwards. The most okay film I have seen in a while.

5/10 – Not bad, but not great either.