Just Mercy Review

Based on a true story, Just Mercy tells the story of a man who is wrongfully on death row, and how one young lawyer strives to do everything he could to reverse the conviction and let justice prevail. Starring Michael B Jordan, Jamie Foxx and Brie Larson, the film had all the potential to be a really great movie. The only question is could director Destin Daniel Cretton get the most out of this story.

Well they certainly managed to get really good performances out of the entire cast. Michael B Jordan as lawyer Bradley Stevenson and Jamie Foxx as Walter McMillian are the undoubted stars of the show. Brie Larson, much like her characters role in the film, is a great support throughout but you’re never in any doubt this is Michael B Jordan’s vehicle. The film gives him a lot to do, but it’s at times a case of just a lot of acting rather than it being something really special. Not to say he isn’t good in the role, just I don’t think it’s the Oscar bait role it might seem like.

Jamie Foxx serves up a fantastic performance in his role as convict McMillian. You get a feel for the character pretty much in seconds of meeting him, and you buy that this man wouldn’t do the things he is accused of. Throughout the film he comes across as a genuinely good man and that helps with the impact of events later in the story. Those events in the latter stages of the film are really engaging and as someone not familiar at all with the source material I was hooked on the courtroom drama. The last 30 minutes are the best part of the film and you’ll be on the edge of your seat wondering which way things are going to go down.

The issue I had was that it takes forever to get to the good stuff. For a solid hour and half the film is painstakingly introducing plot points and characters. It does so with very little pace as it focuses on explaining every element of the story. It’s a difficult thing to do in this type of film with so much in the story to tell, but it just felt like a major drag for a good 90 minutes and I was checking my watch multiple times between trying to keep myself from falling asleep.

I wanted to be invested in the story early on, but it just felt a little bit too heavy and wordy. I think the film makers wanted to be very faithful to the true story and didn’t want to miss any of the information, and in that sense Just Mercy achieves its goal. Such is the nature of the facts though, some of it just didn’t feel very compelling. There is certainly drama there, but for me we didn’t get to the root of it quick enough and that took a lot away from the film for me. 

This felt like a story that could’ve been spread across an entire eight-hour season of a show, where we could’ve really dived into every detail. The film is a crawl of information that takes a while to get onto its feet, but once it’s on its feet it runs away with you and ends with a tremendous punch. The social commentary and morals on show are scarily relevant today for a story from the early 90’s. Just Mercy is an important film, perhaps more than it is an entertaining one. During the screening I found myself a little bored early on but coming out of the cinema I felt a bit uplifted and hopeful, and it wasn’t just because I was heading to get Buffalo wings. 

Good: Great performances in a powerful story with a really good third act.

Bad: The first part of the film is a drag, and that makes it feel like a long time to get to the good stuff.

7/10 – Jamie Foxx is HUGE

 

Emma. Review

I had no idea what to expect with this film, a rarity nowadays with the number of trailers around. I knew I liked what I’d seen of Anya Taylor-Joy in Split a couple of years ago, but beyond that I didn’t know what I was getting with Emma.

As the film begins, I struggled to pin down what exactly this film was about. The characters are introduced in a flurry of names and I struggled to keep track of who was related and who was familiar with who. By the end I had a grip on it, but it took a bit longer than I’d like to settle into the story.

The first hour of Emma meanders aimlessly before it starts to sharpen its focus. Until then I was asking myself what the story was that this film was trying to tell. As someone not familiar at all with the Jane Austen novel it didn’t do a great job of getting me invested in the characters besides from the titular one, which makes some of the impactful scenes in the second half of the film flat.

Anya Taylor-Joy is excellent in that lead role and carries the entire film. Emma goes against the norm by having its title character quite an unlikable person. She is enjoying playing matchmaker and comfortable playing god with other people’s lives. As the events of the film develop, her character does too and there’s is a clear arc and at the end of the film she’s changed from the young woman at the start.

The rest of the cast have a few stand outs, and as a big Sex Education fan I liked seeing people from that show pop up in this film. Emma’s father played by Bill Nighy provides consistent comic relief, which is needed as most of this film is conversations where names are being thrown about and you’re having to connect it up in your head. Nobody is bad, but the nature of the film means it’s all centred around Anya Taylor-Joy and each of the other characters are only there to react to her, they’re not really fleshed out much in their own right.

That lack of development is a shame as some of the relationships between other characters are key parts of the film. There are scenes and moments that I felt were supposed to really hit an emotional note that just passed by, and that was because I only really been told about certain characters and not actually shown their relationship develop.

Emma has an interesting story to tell, but it takes a bit too long to get to the job of telling it. The first hour would’ve been better spent developing the characters rather than just a parade of names and situations. The production design and costumes are all great, up there with what we had in Little Women. It’s not a bad film, it’s just not as good a film as it threatens to be.

Good: Anya Taylor-Joy is great, Period piece setting is nailed and there’s some good moments.

Bad: Underdeveloped characters left me wanting more, and the first hour felt like sloppy storytelling.

6/10 – A film I wanted more from

 

Birds of Prey: and The Fantabulous Emancipation of One Harley Quin – Review

Oh, Suicide Squad. Remember that garbage pile? Well Birds of Prey is Warner Bros latest attempt to put things right with their DC Universe. Essentially being a Margot Robbie led Harley Quinn film, they decided to bet on one of the few things to come out of Suicide Squad with any praise. The trailers were colourful and crazy, two words synonymous with Harley, so that gave me some hope that this would be a fun time.

Having spent my week watching Drama’s and Best Picture contenders, Birds of Prey was been a great palette cleanser. The 6th film of my week was by far the most colourful and striking visually. Describing this as a palette cleanser is perhaps doing the film an injustice, it’s more like I have spent my week eating Michelin star cuisine, and this is a chicken vindaloo from a takeaway.

It’s loud, bombastic and fast paced. The films firmly focused on Harley Quinn for the majority of the film and having just broken up with Joker, she’s trying to figure out what her life is now she’s no longer the clown prince’s right-hand gal. The Joker’s shadow hangs heavy over the both Harley’s mind, and on the film in general. You can tell they’d have liked to use the Joker for parts of this film but due to the controversy over how Jared Leto was received they just kind of awkwardly step around it.

Once Harley and the film are into their own stride, Margot Robbie takes over completely and is clearly enjoying her time as this character. She does all she can to embody the anarchic yet fun personality the character has always had. She uses Guns, exploding glitter bombs, Mallets and baseball bats and you believe she’s just having a great time doing so regardless of who she’s using them against.

The rest of the birds aren’t developed nearly as much as Harley, but they’re all fun in their own way. Rosie Perez as frustrated detective Renee Montoya is a believable bad ass, and Mary Elizabeth Winstead is entertaining and then funny when needed, and she plays it really well. Those two are pretty undeveloped throughout the film. Both are given backstory through the running voice-over from Harley Quinn, but they aren’t really given much to do besides that.

Jurnee Smollett-Bell plays Black Canary and of the other members of the Birds, her character came closest to having an arc worth noting. Youngster Ella Jay Basco plays Cassandra Cain and does well with what she’s given, but she is essentially a plot device for large parts of the film. They have good chemistry together, but I’d have liked to see a little more of their stories rather than rely on voice-over from Harley.

I understand why this film was so focused on Harley, as she’s by far the biggest named character in here, but her character is the only one we see go through anything and show any growth of note. The rest of the film adopts a “Tell, don’t show” approach which is the opposite of good storytelling in film.

As the main protagonist, it’s odd to find yourself cheering for her as she battles her way through a police station or blows up a chemical plant. She’s a psychopath and a serial killer, but she’s fun to watch. When you have such a flawed protagonist, you need a real dick as the antagonist, and this time round we have Ewan McGregor chewing up scenery and oozing arsehole-ish charisma.

He plays Roman Sionis, also known as Black Mask. I can’t say I have read many comics featuring him but from what I know of the character he’s a crime boss and a pretty feared one. His right-hand man is Victor Zsasz, a character who keeps popping up in live action batman media that doesn’t contain batman after his appearance as a key character in Gotham. That’s not really relevant, I just find it interesting how he keeps popping up.

McGregor clearly just threw himself into the role of being a dickhead, as the character has no redeeming qualities. They say the best villains are the hero of their own stories, well there is no way he is a hero in anyone’s eyes. He is fun to watch, as he always is in any role he pops up in, but there just isn’t much to the character other than he wants something, and these women are in the way.

That brings me onto the heavy-handed Women V Men angle this film takes, and whilst I have nothing against it being this way, it’s never really acknowledged. Sionis builds an army of mercenaries, but none of them are female. There is one moment when a female is trying to get out protagonist’s and it’s a short exchange with a stick of dynamite. This film doesn’t give enough time to developing the group and making them feel like strong characters. The bond between them isn’t there, we are just told they’re a group of strong people, and then they fight their way out of situations to prove it.

When you focus a film so much on the plot and what the antagonist is after rather than the characters, you need it to be an interesting plot. Roman Sionis, whilst definitely a dickhead, just want’s something. Harley and the Birds of Prey are between him and that, and that’s the conflict. There is nothing deeper at play. That type of plot is fine in films where the characters are strong and well developed throughout the movie and it becomes more about them and their interactions than the plot, but Bird of Prey doesn’t do that.

Birds of Prey is an entertaining film and it’s a feast of visual candy for the eyes. Harley Quinn is front and centre, and perhaps that’s needed for the first one of these films, assuming there will be more. There is potential for a franchise here, as the characters have enough to intrigue me further, just I wanted more in this one. This film gets much closer to where Suicide Squad was trying to get to, and if you’re into the superhero genre, it’ll be a lot of fun for you. If only this had come out years ago, pre joker, and they just hinted at him throughout before a reveal in The Batman next year. If Only.

Good: Margot Robbie is electric; the cinematography and colours are a treat and the violence is really well executed. Also a great soundtrack.

Bad: Underdeveloped characters for all but Harley, and a very basic plot.

7/10 – Colourful Fun

 

Marriage Story Review

At last I have completed the list of the Best Picture nominees with the one I could have watched ages ago on Netflix. Fresh from watching Parasite, I got comfortable on the couch and watched Marriage Story. The movie stars Scarlett Johansson and Adam Driver as a couple going through a divorce whilst trying to make sure their son is happy. 

There is only one place to start when talking about this film, and it’s with the previously mentioned performers. Scarlett Johansson was in the most commercially successful movie of all-time last year, and yet this is the role she should be remembered for. This is her best work, and she fully deserves the nomination she has received for it with the range of emotions she portrays in this film. She plays Nicole in such a real, believable way that you don’t see the actress and you’re invested in her and when she’s on screen you just want things to work out for her.

As for her co-star Adam Driver, it took me a few minutes to get over the Kylo Ren factor. Having only previously seen him as the Star Wars character, him popping up and immediately talking about what he loves about Nicole is jarring. At first it felt like an SNL sketch, and I was waiting for the “Gotcha” moment. It never comes. What happens is just like ScarJo as Nicole, Adam Driver disappears, and you just see his character Charlie (Great name).

If there is one scene this year that deserves an award for the sheer incredible acting and performances of those involved, it is in this movie. The argument that the two engage in is terrifyingly real. I’ve never been divorced, or married for that fact, but I have had arguments with people I love, and it’s one of the most difficult feelings we ever process. Things are said that you don’t mean because in that moment, just for a split second, you just want to hurt the other person. Somehow these actors manage to capture that sickening feeling and translate it into something on screen that you can feel happening. Writer Director Noah Baumbach wrote and directs a solid film, but their performances elevate it to the top tier.

Laura Dern in her role as ScarJo’s divorce attorney is as sharp as a pocketknife and is magnetic when she’s on screen, although it didn’t quite match the tone of the film all the time. One of the other lawyers in the film is played by Ray Liotta, and I found he stuck out like a sore thumb. He was just a bit too over the top and felt like a caricature of what his character was supposed to be.

In the courtroom scenes you a different side of divorce, where the lawyers are using every little piece of information they have to try and turn the case in their client’s favour. What I don’t recall seeing in most courtroom scenes is the pain on the faces of the people involved, and that is clear to see here.

What it made me feel, and think about, is that feeling of loving someone but knowing it isn’t meant to be. It’s a personal thing that may hit you differently depending on where you are in your life, but for me it came at an oddly profound time. It also made me think about my own parents’ divorce, and how I have never even given it a second thought. Then I think to the odd moments I remember of them interacting and how weirdly nice it was to see them get on, and that feeling is something Marriage Story managed to evoke in me in its final act.

Marriage Story is an engrossing film, and one that crosses a few different boundaries. It’s funny, its heart-breaking, it’s the reveal that Adam Driver can sing pretty well, and that alone should be enough to make you want to watch it. It’s on Netflix, so nobody has any excuse for this one, it should be on everyone’s lists.

Good: This might actually be two real people who happen to look like Scarlett Johansson and Adam Driver, their performances are just that good.

Bad: The Lawyers were a little too evil and conniving to believable in such a grounded story.

9/10 – Statue Worthy Film. 

 

Parasite Review

I have watched shamefully few foreign films. That may well have to change after my experience watching Parasite. A Korean film I watched subtitled, it’s one of the last one of the Best Picture nominated films I had to see before this Sunday’s awards.

There have been very few foreign films that I have ever been able to get into. I tried Roma last year, and it just didn’t work for me as it was black and white and Spanish, and it just didn’t grab my attention how I thought it would. What shocked me quite a lot with Parasite, is how fast I completely forgot about the language. I was reading the subtitles without a thought and admiring the beautiful cinematography and excellent performances.

Sometimes you get a feeling in a film early on that you are going to really enjoy it. Parasite gave me that in minutes. The opening of the film gives you the feeling that this family are real, their relationship’s all feel very genuine. The basic premise of the film is that this poor family spot an opportunity to make themselves money working for another, much wealthier family. The twist is that they all get jobs without the wealthy family knowing they’re all related.

I won’t say any more than that, because the way this film plays out with all the twists and turns and surprises and early set ups paying off, it’s just fantastic. Thinking about the film after seeing it, and you will, you will realise that everything that is shown on screen is so deliberate and precise. There is very little fat, this is a lean, trim piece of prime meat that is served up perfectly for you to consume.

All of the actors involved are magnificent. Every member of both families is interesting in their own way and the film does a great job painting them both in shades of grey. You can make your own decision as things unfold, but in reality, they’re all doing what they think is best for their situation. It’s something I think few films have managed to nail so well. Even though the story is told from the perspective of the poor family, you never feel like this is a good versus evil story.

Parasite shocked me, I went into this film thinking I’d appreciate it, but not necessarily think it’s in my top 5 of 2019’s offerings. I can safely say it is, and it’s worthy of all the Oscar nominations it has received, and I think it has a real chance of winning best picture in a bit of a shock result.

If I had to pick something I didn’t enjoy in this film, it’d be some aspects of the ending. I liked how it ended, but the one of the events that propagated that ending just felt a bit odd to me. It’s possible I missed something somewhere, but it didn’t quite add up to me as I watched it. Thinking about it more and discussing it with friends, it makes more sense, and I am interested in seeing it again to watch it all unfold and see how these moments hit me.

Besides that, one, small, personal nit-pick, this is as close to a perfect film as it gets. Parasite makes you feel the full spectrum of emotions whilst watching it. The plot keeps on throwing surprises at you, and your attention is never anywhere but on screen. For a couple of hours, you are transported, you forget everything else except these characters and the world they live in. That is what cinema is all about, and its why Parasite is one of the best movies you can watch.

Good: Near enough everything.

Bad: One minor thing I didn’t like, and even that I can talk myself round on.

10/10 – One of the best.

Queen & Slim Review

Now and then a movie comes out of nowhere and surprises you, and that’s sort of exactly what I thought Queen & Slim was positioned to do. Technically a 2019 film, just released over here in the UK in 2020 for the Oscar season, Queen & Slim is a stylish, modern take on the Bonnie and Clyde story on the surface. 

There is a lot of caveats to that. For example, the first scene of this film is the very first date that our two main characters meet. Played by the excellent Daniel Kaluuya and Jodie Turner-Smith, the two leads are sort of chalk and cheese, but find themselves pushed together as the events of the film unfold. We are never given their names, but they are the titular Queen & Slim.

Their awkward conversation follows them into the car and on their way home, when they are pulled over by a white cop. An altercation ensues, and things turn out badly with Slim shooting the cop in self-defence when the policeman decides to ramp things up by introducing his gun into affairs. To me this scene played out a bit odd, because I just struggle to believe this is how a police officer would act.

I am then reminded of the harrowing number of cases of black people being threatened and much worse by white cops in the US, and it really makes you lose a little faith in humanity. Something that on the surface to me seems completely unrealistic and against human nature, is just a fact of life for some people.

From that incident, Queen & Slim are on the run, and initially things are intense. The first act flies by, and then we reach the middle section of the film that seemed to drag a lot for me. Once their plan is laid out, we kind of have a good idea of where things are heading and for me, they just kind of slowly make their way through things. In this part of the film shows a bit more of Queens character, her previously icy demeanour starting to melt as she begins to get closer to Slim.

Their romance never quite felt genuine for me. There were cute moments sprinkled in but not enough for me to think that these two characters are in love to the degree the film tries to sell you. It felt too convenient for these characters to reach the point they do in their relationship in the 6 days over which this film takes place.

The side story, or rather side effect of the main story, is this cult following that Queen & Slim attain. As they travel south from Ohio, they encounter people who have heard of their exploits and for some parts of the black community they have inspired a sort of rebellion in them. This element of the film, while I think is coming from a good place, felt a little off to me. There is a scene that we see which is shocking, but as much because it doesn’t fit into the rest of the film as anything. Police Brutality is a real issue, and one that needs to be addressed. I just don’t know if the way this film portrays “Fighting” police brutality is a good message to be spreading.

Queen & Slim is a very interesting movie to watch, but I don’t know if it will stay with me the way I thought it might. There are scenes that threaten to make you cry or make you jump. The script has some odd moments, ones that I literally found myself scratching my chin whilst watching and wondering what was going on. The characters would be talking in a scene, and then suddenly they would stop talking, but the conversation would carry on seemingly in their heads. It isn’t addressed, but it happened, and I found myself thrown off by the characters on screen with their mouths closed but still hearing their conversations.

This is a film that is nearly very good, but just didn’t quite hit me for six like I thought it was going to at the start. It’s a good film that consistently shows signs of being great, but never makes it there. It feels like Queen & Slim was being positioned as an Oscar winner, and the lack of nominations it’s received tells you it never quite fulfilled it’s potential.

Good: Great performances and a well-made film, shines a light on important issues.

Bad: Unfulfilled potential, and the message feels a little heavy handed to me.

7/10 – A good film, and I am interested to see what the people involved do next. 

 

Content Burnout & Terrestrial Channels

There is a lot of content out there right now that I intend to consume at some point. Despite that, I could only muster the effort to go and see Joker. Besides that, and sports, I have only really watched The Office over the past 7 days. Oh, and like 2 thirds of Star Wars A New Hope. I am at the point where the ships go to shoot up the death star. Besides that, I just haven’t had the attention span to pick up something new. 

I have already seen the office in its entirety once, and watched odd episodes countless times, so watching through it again isn’t giving me anything new, it’s just allowing me to switch off and enjoy some silly jokes and the incredible man that is Michael Scott. I assume this is something other people sometimes struggle with, the urge to play games or watch shows & movies just goes and you just want to tune out for a bit instead.

I have a list of old films to see, to try and fill in the gaps in my movie knowledge, and there are countless shows I would like to experience. I haven’t even listened to many podcasts aside from some football-based ones which is only happening because I enjoy laughing at Tottenham so much. I think it’s very important to do that by the way. Laugh at Tottenham. Their fans have been smug for a few years and at this point their most successful period in history brought them a third-place finish and a loss in a final.

Ha.

Football aside, it feels like I am suffering from what I would call content burnout. That urge to watch something new just isn’t there, so I have gone back to something I already know so I can just have it on while my brain is thinking deeply about sweet sweet fuck all. Well since Sunday it’s been thinking about Joker but that’s just the nature of that film.

In other news, Rick and Morty Season 4 has been confirmed for November and I am going to have to sort out channel 4 for the first time since I moved out nearly 3 years ago. I have lived without any terrestrial television now for a few years and the only thing I miss is Match of the Day. Netflix, Amazon Prime and Now TV provide me with so much content, which combine with YouTube and Video Games mean there is always another thing to watch or play. I am assuming that I can download an App for Channel 4, hopefully it works better than the ITV app.

The ITV smart tv app is one of the most frustrating things I have ever used. The channel is called ITV. TV is literally in their name and yet, they do not have the function to watch their channel live within their app on smart TV’s. I even reached out to ITV about it, and by reached out I mean sent them a shitty email, and they responded with “Unfortunately our TV application doesn’t allow you to watch normal TV”. It was the final nail in the coffin, and I streamed the England game another way.

I am not sure how I got to this, but what I am trying to say is Fuck ITV. In fact, all the terrestrial channels, except the BBC, are more than welcome to do the same. Actually no, fuck the BBC. I just remember they moonlighted as a paedophile shelter for a bit & not even Match of the Day and Killing Eve can redeem something that ridiculously horrific.

So yeah today’s post started out about me feeling burnt out on content and ended with me say Fuck the BBC and all its friends. Maybe I should try and get more sleep.

‘Til tomorrow.

ChAzJS

 

Captain Marvel Review

By now we are used to Marvel Cinematic Universe movies, and this is the 21st movie in the enormous franchise. Captain Marvel is the first MCU movie to be led by a female character, and only the second superhero movie ever after DC’s Wonder Woman. Could Marvel produce something as good as DC’s best? 

First of all, I have to say I think Brie Larson is a phenomenal actress. She’s a top-tier talent and kudos to Marvel for picking such a talent to play the new face of the MCU, and that is certainly what this movie is setting her up to be. She worked hard to do her own fight scenes and does everything she can with what she was given to do. I don’t like to delve into negatives too quickly, but Captain Marvel runs into an issue I was a little concerned by going in.

The issue is one I like to refer to as “The Superman Problem”. This film starts out with Carol Danvers as a powerful and skilled warrior, and ends with her being an even more powerful and skilled warrior. Superman is an indestructible, undeniable solution to almost every problem. In a similar vein, Captain Marvel felt a little too powerful at times in this film, and she is never really threatened by anything she comes up against (spoilers, she doesn’t die in this film).

The problem this movie has is that this new infallible hero isn’t even given a weakness like Superman’s Kryptonite, she is just a force of nature whose solution to all problems is to shoot beams at the problems. There are superb hero moments, but they don’t feel as earned as in some other films we have seen. Think Spiderman Homecoming, when he’s terrified under the crushed building calling for help, in that moment we saw the vulnerability of Spiderman. Captain Marvel has no vulnerability to speak of in this film.

That being said, the beams she is shooting to solve her problems do look cool, and as we have come to expect in an MCU film, all of the action scenes are well done. The stand out for me being ironically one where her beams of light aren’t there as weapons for her, and she has to show her fighting prowess. The other, more spectacularly shot scene is the one we catch a glimpse of in the trailer, with Carol Danvers flying through space blowing up ships.

Good action is expected by now in these movies, what has kept the MCU going for so long is its excellent character development. Nick Fury, played by a de-aged Samuel L Jackson, is brilliant in this film and this showcases everything we love about the character we have seen countless times to date. He has more screen time here than in any other film, and we learn a few things about him that we didn’t know before. Some of this film could spawn some considerable questions about other films in the MCU, and a few of them directly relate to thing Fury has said in movies we have seen.

The 90’s setting that allows for the creation of plot holes in movies we have already seen is an excellent excuse for a lot of references to 90s culture. We see Troll Dolls, hear Nirvana, and get to witness the inside of a Blockbuster for the first time in years. These references are all nice window dressing, but to be honest this could have been set a few days before infinity war and not much would have changed for this actual movie. That being said, they do bring some nostalgia with them, and that plays into some of the funnier moments. 

Aside from Nick Fury, we have Talos played by Ben Mendelsohn and Yonn-Rog played by Jude Law. Both are excellent actors in their own rights, and Law is really solid in his role. Mendelsohn nearly steals the movie for me though, playing an antagonist with a twist, and someone I really hope we see more of in the MCU going forward. I didn’t expect the turns this movie took, and therefore this film provided some of the most interesting world building to date in the MCU. It’s an odd thing but we seem to be reaching a point where Marvel is aware people know the comics, and are going out of their way to do things that will surprise us. I won’t say more for fear of spoilers, but suffice to say I thought there were some really smart storytelling choices made in this film.

What I think is difficult to quantify with these films is why it’s any better than say Dr. Strange, or Black Panther, and honestly I am not sure it is. It’s certainly not down with the likes of Thor: The Dark World, but because of the nature of the MCU it’s almost impossible for this to rank in the top echelons of the MCU given how deep in we are and how many characters we have seen combine. Captain Marvel is a return to a true origin story in the MCU, and one that doesn’t fall into the trappings we have seen in previous first outings. The final fight isn’t against a villain with exactly the same powers (Iron Man, Winter Soldier, Ant Man, Black Panther all spring immediately to mind), and there is no really blatant sequel set up.

This film extends the lore of the MCU in a more natural way then we have witnessed before. It gives us insights into characters we have seen before, but from a time before we knew them, and I am not just talking about Fury. Captain Marvel is yet another good film in the Marvel universe, and it got me even more excited for Avengers Endgame. If that was possible. The first end credits scene made me realise just how desperate I am to see that film. I can’t wait. Only a month and a half away.

Good: Excellent Action, Solid acting all round, MCU continues to expand and some great 90s nostalgia. Goose the Cat is awesome, and the Marvel Logo at the start will make you cry.

Bad: Script felt a little empty in some ways, leading to a mildly underdeveloped hero. Superman Problem needs to be addressed in future movies and I didn’t like how Fury lost his eye (Spoilers I guess…)

7/10 – Carol Danvers joins the MCU, and immediately becomes Thanos’ biggest problem. 

 

Fighting With My Family Review

The world of wrestling was a source of much entertainment for me as a child during the early 2000s. I had the likes of the Rock, Stone Cold, Shawn Michaels and Triple H in their prime and I was absorbed by the stories they were telling. Towards the end of my time following the WWE, I enjoyed the rise of John Cena, Kurt Angle was a big star and Batista was an absolute animal. What’s missing from this troop of names? The females of the WWE. I do not follow it much now except for an annual WrestleMania viewing, but I have heard over the last few years that the Women’s division is the new hot thing in the industry, and not just because of Scantily clad women.

Fighting With My Family tells the true story of WWE Star Paige, delving into the trials she endured on her journey from her English wrestling family to the top of the WWE world. Starring a few unknown actors alongside a couple of familiar faces, this is a film focused very much on Paige’s journey, with the subplot of her families various struggles along the way. Writer and first time Director Stephen Merchant is behind the camera, and as a fan of his work, particularly The Office, so I was looking forward to a witty, cleverly funny script and intrigued by the storytelling ability of Merchant as a director.

Merchant’s first effort behind the camera is excellent, directing the actors brilliant and getting some great performances out of the main cast. Florence Pugh stars as Paige, real name Saraya Knight, giving a performance full of heart and embodies the character well. She’s likable enough to get us on side at the same time as being clearly a bit of a social outcast. You feel like part of her journey and that goes down to both the actress and the direction of Stephen Merchant to get the audience invested in the film.

The other stand out for me is Jack Lowden as Saraya’s brother Zak. His journey is arguably even tougher for him to deal with than his sister’s, and again I felt invested and connected with the struggles he was going through. These two characters act as the heart and soul of the movie, both sharing the first act equally before the movie focuses on Saraya’s journey. Lowden shows a wide range in this performance, with highs and lows being engaging moments.

The side characters of the film include the parents and the WWE coach. First off Nick Frost is funny in his role as the father of the siblings, but I felt he struggled a little to live up to the performances around him in the more emotional scenes. Lena Headey is transformed in the role, with her unrecognisable when compared with the sinister Cercei she plays in Game of Thrones. She is almost the opposite of Frost, thriving in the dramatic scenes and none of her funnier lines really hit me how they should have. Vince Vaughan is the best of the three for me, displaying a blend of the serious acting with his comedic timing that I felt matched the tone of the film just right.

The rise to stardom of Paige is an interesting story to have picked, as even in the film its established as being a reasonably common path. Dwayne Johnson, the biggest star the WWE has produced when it comes to branching outside of the ring, hints at having a similar story himself in this very movie. Whilst it’s easy to appreciate the look at the journey, I don’t necessarily think there is anything shocking or unusual about this story, making it a little bit predictable even if you didn’t know the details beforehand. This wrestlers life after the end of this movie has more drama and twists than the story this film tells, both in the ring and outside of it.

Fighting With My Family delivers a thoroughly entertaining insight into the world of professional wrestling and the hard work required to make it to the top of the chain. The comedic touches of Stephen Merchant really bring the film together. Without those it would have been a solid film, but with them it’s a really good one. Boasting some top performances and a healthy side dish of Dwayne Johnson being himself, Fighting With My Family is a great time.

Good: Excellent performances, well-directed, and some good laughs make this an all rounder of a film.

Bad: Has a predictable and not particularly remarkable story for the wrestling world.

8/10 – Fun for the whole family.

Velvet Buzzsaw Review

Last week I watched Nightcrawler, the first time director Dan Gilroy and star Jake Gyllenhaal combined, and I really enjoyed it. It gave me a lot of hope for Velvet Buzzsaw which is their second time teaming up. Could it live up to the excellent Nightcrawler?

I went into Velvet Buzzsaw knowing very little about the film. I knew it was a satire of the art world, and that something odd goes on, but beyond that I had no idea. The film starts out towards being a satire on the art world and the pretentious nature of some of the people the world contains. I have met some people in the art world who I could see in parts of the characters in this film.

Those characters are all played by some really talented actors, led by the enigmatic Gyllenhaal. Rene Russo, Zawe Ashton (from Fresh Meat), Toni Collette and Natalia Dyer (Stranger Things) are all really solid. I am happy for Ashton and Dyer as they both have shown some talent before, and this feels like a good next step for them. John Malkovich is John Malkovich, and he’s always entertaining but does seem a bit underused in a film I think he was perfect for.

These solid performers inhabiting quite interest characters sets up a thoroughly intriguing film. For the first half I was very in, and was interested in seeing where the plot went. What happens from around halfway into the movie I have to say really did not work for me. The attempt at satirising the culture of the art world is nearly brilliant, but the script largely disregards this and steadily falls into an odd, nonsensical slasher film. It’s not a spoiler, but the final third of this film is basically a horror movie with no real explanation to what is happening. Things just go wrong, people die, and the way everyone dies is just put down to “It’s a curse”.

I did think the film was going to reveal something in the third act that would have really been an interesting twist and I think this needed that kind of momentum shift towards the end. Things ramp up in a way, but for me it’s all just gore porn and the characters introduced in the first act melt away and become generic victims. This really detracted from the movie for me.

I was a big fan of director/writer Dan Gilroy’s work in Nightcrawler, and whilst the direction in this film is really good, the script starts so high, and deteriorates into a generic horror film. Fans of that genre may find it works well, but as excellently shot and executed as the death scenes are, they just aren’t what I look for in a film. They aren’t predictable deaths, as in the way people go out is very different. One in particular, the “Paint” death is probably the best way to describe it, is very artistic and really beautiful to look at from a cinematic standpoint.

The way the films shot is truly great, and the cinematography, particularly a couple of the landscape shots at night, are up there with the hyperspace crash scene from Star Wars in that they are like pieces of art on their own. However, the fact that my favourite part of the 2nd and 3rd acts is a couple of landscape shots really shows my level of enjoyment for this film.

Velvet Buzzsaw flirts with being a really engaging, intelligent film, then wastes its solid start on an unexplained phenomenon that takes over. I really hope slasher fans find this film entertaining, as I really struggled to past about the 60 minute mark.

Good: Excellent cinematography,  solid performances and next steps for some young actresses, Gyllenhaal does his best.

Bad: Satire morphing into slasher could be done very well, it isn’t here, and it ruined the film for me.

4/10 – Promising start wasted.