Zombieland Double Tap Review

The first Zombieland was great fun and came out of nowhere. I remember seeing it and being completely surprised that I enjoyed it as much as I did. It was quirky, funny, and had the 4 main characters had great chemistry. It was also 2009, and by 2014 I had just naturally assumed there wasn’t going to be a sequel. However, 10 years later, we have the next part of the story and once again I am going in with absolutely no idea of what to expect. 

The core cast are all back, with Jesse Eisenberg, Woody Harrelson, Emma Stone and Abigail Breslin, who has noticeably grown up over the last 10 years while the other 3 look remarkably like how they did in the first one. It’s like they haven’t aged a day, but then Woody Harrelson has looked like he does now for as long as I have known of him, so I guess it makes sense. He’s one of those ageless people like Keanu Reeves.

Anyway, those four returns and seem to have not missed a beat. Their chemistry is once again the engine that keeps this film going. The banter back and forth between them all really does feel like a group that has been together for a long time so I would guess these four are friends outside of the camera as well. The newcomers to the cast add some new dimensions, and top of that list is Zoey Deutch who plays a ditzy, oblivious girl who has somehow survived this long. At first, I thought the character would become annoying very fast, but she does develop a little and is not just the idiot she first seems.

Rosario Dawson is the other newcomer and as always, she is great. She is immediately on the same wavelength as the rest of the group and her chemistry with Woody Harrelson adds a new dynamic to his character. I’ve talked about the cast so much because really, they’re the best thing about Zombieland Double Tap. Beyond them and some funny “Zombie Kill of the Year” bits, there isn’t much else here beyond some zombie killing.

The plot is fine, the action scenes are fine, and the special effects are great. That could kind of sum up this film unfortunately. There is no clever plot here, it’s basic and it serves its purpose of giving the characters a reason to go somewhere. Beyond that there is no intrigue or “what’s going to happen”. There is rarely a moment when you worry about any characters and when you do, it’s never for too long. The new Zombie types are fun, and the cleverly named T-800 (Zombieland’s main box office competition is the new Terminator) is an interesting idea, but they quickly become just another part of the horde.

The action scenes do have some fun moments, but there are only so many times a zombie being shot in the head is that entertaining. The film sets up a more interesting fight at the end, but then the finale happens a bit too quickly and there is no time for any cool action scenes. The last fight is practical, rather than entertaining, and even if there are some fun visuals a couple of times, my highlight of the films action was a cutaway skit to a guy murdering zombie in Italy.

What is odd about Zombieland Double Tap is that it doesn’t bring much new to the table, but still feels fun, fresh and enjoyable. It’s a movie we have had before, but the 10-year gap makes the reunion feel like more fun than if we had a sequel a couple of years later. It’s rare that comedy sequels made 10 years later work (see Zoolander 2) but somehow the formula of the first film still holds up in 2019. As much as I enjoyed watching this film, I can’t say I need another Zombieland anytime soon, so perhaps revisiting in another 10 years wouldn’t be such a bad idea.

It’s one of those films where your expectations need to be in the right place when you go in. Don’t expect a stunning sequel that surpasses the first, it doesn’t even try to be that. It’s an update on what’s happened to the characters you enjoyed first time. Like a postcard from someone you lost contact with, you will probably smile, laugh a little, and then forget about it all over again.

Good: Great chemistry between the cast with some laughs. Some laugh out loud moments that got me good.

Bad: Unambitious, very little original content, and unadventurous action scenes.

7/10 – Zombieland is Fine, and I think that’s what they were aiming for. 

 

Joker Review

The Joker is a character I have been fascinated with for as long as I can remember. I loved the Mark Hamill version in the animated show and Jack Nicholson in Batman 89 was terrifying when I was a child. Jared Leto showed an example of how different the character can be and of course Heath Ledger delivered the most incredible performance we have seen in any comic book movie role. That is until now. 

Joker stars Joaquin Phoenix as Arthur Fleck and it’s 99% him. He is front and centre very much like the films that very clearly inspired this one. Phoenix uses the opportunity to display just how incredible one man’s performance can be, and he transforms into the character of Arthur Fleck. When you have an actor with this talent in a role with this much complexity to it you always have a chance for something special.

Hangover director Todd Phillips is at the helm for this one, and it seems he and all the rest of the people involved in this production realised what they had. Phoenix is given the film and carries it completely on his shoulders. Zazie Beetz, Robert De Niro, Brett Cullen and Frances Conroy play the other characters and are all good, but they are all there to add to the journey Arthur Fleck is experiencing.

There will be inevitable comparisons with Heath Ledger, and I fully understand that’s going to happen. I have said consistently, and it remains true even after this film, that The Dark Knight is my favourite movie. That is almost entirely down to Heath Ledgers Joker.

Part of the appeal of the Joker is that he doesn’t have a clear origin, it’s always a little unclear. This film tries to tackle how a character like the joker could be created in a real world. The 70’s setting not only allows for some great style and production design touches, but also gives the film the same style as the films of that decade. I have recently watched Taxi Driver, and Joker takes a lot of inspiration in a very unsubtle way. The comparisons with past eras of movies doesn’t end there with Falling Down and King of Comedy also being clear heavy influences.

As I have not seen those two films, I didn’t suffer from what I have seen a few people complain about with regards to the films handling of the references and inspirations it takes from those films. I have heard that a lot of this film isn’t particularly original, but I think the originality comes from this being a comic book film unlike any other we have seen before. Yes, we have seen films about terrible people before, but never have we seen a realistic depiction of someone’s slide into becoming the Joker.

How the film handles that transformation is particularly interesting to me, and some of the dialogue in the final act. Mental illness has had a stigma attached to it forever, and even today it’s often misunderstood by society. This film is brash with its messaging, and it makes a clear statement about how important it is to support people with mental illnesses. Arthur Fleck is completely detached from the reality the rest of the world lives in, and its reflected particularly well during the stand-up comedy scenes in the film.

There’s been a lot of controversy around the film in terms of how violent it is, and frankly I find that all to be ridiculous. I have seen more gratuitous violence in every single Tarantino movie, both Deadpool films, and endless amounts of horror films. The violence in this movie is impactful, and it’s all in the context of the film. At no point is any statement made about guns, it’s not the focus in any way. The focus is on the mental illness, and how letting it go unchecked can lead to terrible consequences. It’s highlighting how the downtrodden can feel neglected and unimportant to the people with power and status.

My biggest criticism of the film is it’s handling of the messaging. I personally don’t find The Hangover movies to be that funny because they’re brash and the jokes fall flat for me, and that same brush is being used here but this time it’s being used to paint a different type of story. Joker provokes a lot of thought, it’s a film that stays with you and it forces you to think about uncomfortable, difficult subjects. I suppose in a way, a more subtle approach wouldn’t have the conversation going quite so ferociously in my own mind as this film has managed to do.

In all honestly, Joker is not an entertaining film. It’s a slow burn to start with, and it has a lot of scenes that will make you squirm uncomfortably and begin to make you think you’re being sympathetic to the character of Arthur Fleck. The film shows how tragic events can affect someone’s life and spins that into an origin for an extremely twisted and dark character, and it achieves that goal very well. If you prefer your movies to have redemption or light-hearted fun, steer well clear of Joker. This is the furthest thing you could get from a Marvel film, and yet there were moments which made the geeky side of me just as gleeful as the ThunderCap moment in Avengers Endgame.

Joker is a rare film that will start a conversation about topics that are very rarely brought up in everyday life, but ones that perhaps should be. That ability to start a conversation is a sign of a very good film in my opinion.

Good: Joaquin Phoenix should win the Oscar this year, I will be astounded if anyone can top this performance. Production design, the score and soundtrack are all top notch as well.

Bad: Even if the messages it’s trying to convey are important topics for us to think about, the film has all the subtlety of a brick to the face.

9/10 – I never thought I’d say this after Heath Ledger, but this is the best Joker ever. 

 

 

SpiderMan Far From Home Review

I’m Back and so is Marvel, just a few short months after they released the mammoth that was Avengers: Endgame we have the return of Spiderman. Fresh from his exploits there, he is back and desperate to go on a school trip and have a break from the superhero life for his summer vacation with his school friends. What could possibly go wrong?

Well it turns out that quite a lot could go awry for Tony Stark’s protege, and indeed it does. The events that we see are hard to go into without spoilers, but I found the movie compelling throughout the whole run time, although there is a clear point in the film where things kick up a gear. This film is half about Peter Parker, half about Spiderman, but instead of feeling disjointed, i felt it really worked well showing the two sides of Peters life that he struggles to balance in every incarnation of the character.

I will start with the obvious for a Marvel flick now, the action. They nail it again, and even though the earlier fights feel a bit odd and Jake Gyllenhaal’s Mysterio is given a number of cooler moments than Spidey. I didn’t mind too much, as I enjoyed everything about Mysterio in this film (more on that in a sec), but I did feel Spiderman felt a little under-powered. It is explained through the film why he might seem that way, but I wanted more from the early scenes.

In the latter part of the film the action picks up and goes to another level. Peaking at the end of the second act. I have loved these two characters, Spiderman and Mysterio, for a long time, and seeing them playing out the scene they do genuinely had my jaw dropped in disbelief. The film sets everything up in such a way that everything that happens feels feasible, something I never thought I would say about Mysterio. He has always been the one Spiderman villain i couldn’t see how they would ever get him into a movie. But my god did they nail it.

The look and the skill set of Mysterio is one thing, but getting an actor as talented as Jake Gyllenhaal to portray Quentin Beck is a masterstroke. The character’s arc is surprising, and I loved the way the film played him. It was a departure from what I expected in many ways, whilst also being exactly what I wanted. I will say no more as I can only imagine how fun this film is if you have no idea what to expect from Mysterio.

Now that the action and spectacular stuff has been talked about, I can get into the real shining light in this film. Tom Holland is unequivocally the greatest Peter Parker we have ever had on the silver screen, but a big part of that is the chemistry he shares with his supporting cast. Jacob Batalon as Ned, Zendaya as MJ, Tony Revolori as Flash all return from Homecoming, with a few new members of the group, most notably Angourie Rice as Betty Brant. They all really sell the idea of them being a group of friends, and provide some amazing comedic moments alongside their teacher Mr.Harrington played by Martin Starr.

The stars though are Tom Holland and Zendaya, who share chemistry that neither of their characters know quite how to deal with. This leads to some really genuine feeling moments of awkwardness that we can all relate to when we think back on our teenage years. I really hope as the franchise continues we see these characters grow together and deliver on the potential they have to replace, and arguably outshine, Tony Stark and Pepper Potts as the power couple of the MCU.

Those two are absent from the movie, but playing a key role is Jon Favreau as Happy Hogan. He was there, acting and directing at the start of the Marvel Universe in Phase 1, and here he is at the end of phase 3. How they managed to film his parts in this film whilst he is also busy directing the Lion King, which comes out in two weeks time is an absolute marvel in scheduling. He was a distant contact for Peter in Homecoming, but now he has stepped up to be much more of a caring Uncle to peter, perhaps too caring in some ways. He and Peter share a scene which should have felt like a cheesy, too obvious wink at the camera, but the pair act the hell out of the scene and it earns it place as one of my favourite quiet moments in the entire MCU.

So there we have it, every MCU film we know of has now been released, and for the first time ever, we don’t know what lies ahead. The 2 after credits scenes hint at some things, but nothing obvious. Spiderman Far From Home feels like Marvel showboating. Showing off their Cinematic Universe with a wink and a nod, whilst also giving us a really fun teen comedy and delivering some of the most memorable moments we have had so far. Marvel is a movie machine, and Far From Home is another great film to add to the list.

Good: Spiderman, Peter Parker, Chemistry with the entire cast, an astounding action sequence, and two great after credits scenes.

Bad: Well at this point if the MCU isn’t for you, steer well clear. Also you will need to do your homework and see Endgame and probably Captain Marvel to understand everything in this film. Although you don’t have to see Endgame 5 times over like I did.

9/10 – Mysterio is in this film. Go see it.

Rocketman Review

Last year we got Queen, this year we get Elton John. Taron Egerton takes on the role, allegedly handpicked by Elton John himself. Could he follow in the footsteps of Remi Malek and smash this out of the park. Dexter Fletcher, the uncredited director of parts of Bohemian Rhapsody, and after what he did with that film, I was excited to see what he could do with this story. 

That is the end of the Bo-Rap comparisons for now, as I don’t want to discredit the film by just comparing it to another movie. Elton John’s story is one I knew of vaguely, but none of the details were clear to me. The film shows the pure talent of the musician, but also dives in deep to the core of the man. We see the highs and the lows, and it doesn’t pull any punches.

Getting the right actor to be Elton was always going to be the element that would make or break this film, and I have to say that Taron Egerton absolutely smashes this role. He becomes Elton for the duration of the film, and he shows he can carry a film and deliver on the emotional moments that are scattered through the film. On top of that, he has the voice and physical ability to carry off all the singing and dancing this film throws at him.

That brings me to the most fun element of Rocketman, the music. I went in expecting some of the biggest hits and a few concert recreations, but that is not what Rocketman delivers. This is a full-on musical, just with world famous songs that are positioned at the perfect times to fit the story. If you watched the film with no idea of Elton John or his music, you could easily think the music was created originally for this film. “Saturday Night Alright for Fighting” to “Your Song”, a big handful of Elton’s best-known music is served up.

The music punctuates key scenes, and for me worked at its best when it functioned as the exclamation point on key scenes. The other interesting use that may not work for everyone, is the use of his songs to stop the audience dwelling on any of the lower moments. We see Elton hit rock bottom, the lowest he could go, and it leads into a rendition of the title song. The way the song is filmed and performed, it worked perfectly for me and kept the movie from feeling too heavy at any time.

So far, it’s all been about Elton in this review, but whilst he is of course the main character, we do get some really good work from the supporting cast. His mum played by Bryce Dallas Howard is excellent as is his co-writer and best friend Bernie, played by Jamie Bell. Both have key roles in the film and share the stage with Egerton without ever outshining him, although I am not sure that would have been possible in this film.

The other major character in the film is John Reid, Elton’s manager and lover. He is played by Richard Madden, who does well in the role but the character itself is the main flaw in the film for me. Whilst the music numbers are fantastical and dreamlike, all the character moments between them felt real. As the film progresses John Reid goes from slightly manipulative to being full on moustache twirling evil. I felt he became a bit too cartoonish by the end of the film and that is a real shame as that is pretty much the only element of this film I didn’t enjoy.

Rocketman delivers on the potential the story has and is an incredibly fun time in the cinema. A brilliant performance by Egerton, that for me outdoes even Remi Malek in Bohemian Rhapsody, is one of many reasons to go and see this film. Unless you hate Elton John’s music, you will have a great time watching this.

Good:  Taron Egerton’s performance may be the best in 2019, Musical numbers that will have your feet tapping and a smile on your face and will leave you with a new appreciation for Elton John.

Bad: I found one character a bit too over the top evil, and that is the only real knock I can have. Oh and no Circle of Life. Come on.

9.5/10 – Leaves you feeling like a little kid. 

 

 

Aladdin (2019) Review

I am back after a few weeks off writing other things (maybe one day you will see what) and to get me back in the saddle I had a choice of John Wick 3, Rocketman, Brightburn or Aladdin. As you can tell from the title of this post, I went for the re-imagined Disney classic. My memories of the original Animated Aladdin are a little hazy, but A Whole New World is a certified banger and you all know the words, and that alone puts it high on the list of all time Disney movies. 

Of course a huge part of the animated film was the Genie, brought to life by great animation and arguably the greatest comedic voice acting performance ever given by Robin Williams. I think a major concern everyone has with the new Aladdin is that Will Smith, even with all his charisma, couldn’t possibly be up to that historic performance. I am so glad to report that he gives a brilliant performance as the Genie, and does it completely in his own way. Much like the 1992 Genie was a vehicle for Robin Williams’ improvisational personality, this 2019 Genie is gives Will Smith the same platform for letting his own brand of entertainment ensue.

I’ve started with the Genie because he is a huge part of the film, and every scene with him in he owns the screen and you could watch him having fun with his unlimited powers all day. Smith shows that the Genie isn’t a character who can only be played by Robin Williams, just that it’s a character that needs to be played by someone with a huge personality and Will Smith certainly brings that in spades. As entertaining as he is, he is by no means the only star in the show.

As a complete newcomer to my eyes, I was pleasantly surprised with how much I enjoyed Mena Massoud in the title role. He is great casting for Aladdin, and he plays the role with the right amount of cheek and wit. Him and his monkey Abu have a somewhat believable bond, even if the monkey does seem a little too smart at times. I found it hard to have any real problems with him though and there was enough chemistry for me to buy into the budding romance between him and Jasmine.

Power Rangers star Naomi Scott plays Princess Jasmine, and I personally liked a few of the new choices they made with the character this time round. Her desire to be a good ruler for the people is a little bit heavy handed at times but I liked the idea they were going for. The new solo song “Speechless” is heavy handed in a lot of ways but again, I appreciated the message even if it was hammered home a bit too much. Outside of the singing, I think she did a great job playing the princess as a strong character, with her own ambitions beyond just the love of a prince.

I like all of the protagonists a lot, and I wish I could say the same for antagonist Jafar. Marwan Kenzari is fine in the role, but he did become a bit too over the top at times, and he didn’t bring that menacing presence I was hoping for from the character. This kind of makes some parts of the film, mainly the scenes involving Jafar being intimidating, fell a bit flat for me. His sidekick Iago always felt like an evil version of Zazu in Lion King in the animated version, but here he is a relegated to just being a super intelligent parrot, similar to the role Abu plays for Aladdin.

Aladdin doesn’t break any new ground beyond a few lines of Jasmine’s dialogue, and in terms of the plot there is nothing new. If you have seen the ’92 film, you know what is going to happen. The enjoyment I derived from this was seeing a new vision of that story, with a new genie and for me it was a really entertaining film. To some, this film could feel like nothing more than a well funded tribute act, but for me it was like a great band did an awesome cover. This is the movie equivalent of the Fall Out Boy cover of Michael Jackson’s hit Beat It. It’s not the original, but it’s pretty damn good, and you can sing along to every word.

Good: Will Smith crushes it as the Genie, Great breakout performances from the two leads, and the songs are brilliant.

Bad: Jafar underwhelmed me, and if you have recently watched the ’92 Aladdin, it may well give you Déjà Vu.

8/10 – Not a whole new world, but an entertaining one. 

Extremely Wicked, Shockingly Evil and Vile Review

The Ted Bundy story is a horrifying and disturbing one. I have listened through a lot of crime podcasts about the story, and the fast someone so charming was capable of the crimes he performed is borderline unthinkable. This film, with Zac Efron in the role of Bundy, goes through the events of his crime spree and the events that led to his eventually conviction. I wasn’t sure what to expect, but I figured it would play out like a normal crime drama. 

The film took a different path to the one I expected. Coming from the director of the Ted Bundy tapes on Netflix, I figured it would go relatively straight through the events. However director Joe Berlinger decided to show us a different angle for the first act of the film, deciding to show Bundy as a handsome, charming man who falls in love with a woman called Elizabeth.

This choice I found very odd at first. Knowing so much about the story I felt it to be painting a horrific man in a positive way. As the movie went on, I realised the reason behind showing this side of him is to show the audience that Ted Bundy seemed like a very unlikely suspect. Zac Efron’s charismatic performance is perfect for this part of the film. He oozes confidence of a man who knows he is attractive, and knows how to use it.

I can imagine if you did not know the story going in, it may add an element of “Did he, didn’t he” to the film. In the real world, there is not any doubt about whether Bundy committed the crimes. At times the film makes you question if he is a potentially innocent man, which had the effect of making me feel very uncomfortable. By the finale, we are given the answers but the journey there makes for some really interesting moments.

Zac Efron is excellent, but his equal in the film for me is Lily Collins as Elizabeth. There is a scene towards the end where you can see her character beginning to buckle under the weight of what’s happened, and she carries it perfectly before the pay off in that scene. Her back and forth with Efron in that moment makes it one of my favourite dramatic scenes so far this year. The rest of the cast are solid, but the focus is very clearly on Efron and Collins, with only Kara Scodelario being given a moment to shine. She plays Carol Anne Boone, the woman who refused to believe Bundy was guilty and mothering his child while he was on death row. Proving just how charming of a man the murderer was.

Extremely Wicked, Shockingly Evil and Vile is a movie I wish I had watched before I knew about the Bundy case. I can imagine the shocking revelations in the third act would have real impact on someone without the prior knowledge. As it is, I found it to be a very interesting way to tell this story, and I was captivated throughout, but mainly because of the angle the story was being told from. At no point did I really get a feeling that he was a really evil man, and that makes me a feel a little uncomfortable. At times it almost seems to be sympathetic towards Bundy, and that made me feel quite uncomfortable with it.

Good: Great performances and a really captivating subject with a different take on the story.

Bad: Left me feeling very uncomfortable with the way it portrays Ted Bundy, as I don’t think there is room for any sympathy for the man, and that leads to a confused tone.

7/10 – Ted Bundy was a horrific person, This depicts him a little too nicely. 

 

Avengers Endgame – SPOILER TALK

Avengers Endgame is an incredible achievement. Movies have never even attempted this, and this review will ruin the film for you. Do not read on if you have not seen the film, unless you just really don’t care about spoilers I guess. I am going to talk through my favourite moments from the film, basically recapping it and how I felt when it happened. I am sure this is going to descend into me just gushing about what happened, but here goes;

Starting out with Hawkeye is something I had actually read speculation on just a week before, and the way it plays out is a really gut-wrenching moment. Having been set up in Age of Ultron as a family man, he is spending time with his family, helping his daughter practice with a bow and arrow. Then he loses them all. His wife, daughter and two sons are dusted with him completely clueless as to what is happening. Answering any questions we had about what transformed Clint into the brutal ninja Ronin, who is carving up thugs in Tokyo when we catch up to him next.

There are easy questions you can ask throughout this film, but honestly you can make up your own answers in your head for the majority, like “How did Captain Marvel know where Tony Stark and Nebula were stranded?” They sent out a distress beacon, there. I don’t know, the film doesn’t attempt to explain it and it doesn’t need to because the point is to get Tony Stark and Cap back together, to try and figure out what they can do. There are shades of Iron Man 3 here, with Tony a withered, angry, defeated man who is all out of ideas. Robert Downey Jr really does deliver some of the best acting in the whole film in these scenes and you really feel his frustration and the weight of what they have lost.

This is when the movie decides to deliver its first real surprise blow, by straight up beheading Thanos in the opening 20 minutes of the film. It’s a bold choice, and executed brilliantly. It essentially means 99% of the trailers we saw are from this opening salvo, leaving us two and a half hours of movie with very little ideas about what is going to happen. Thanos’ destroying the stones is a great twist, something I hadn’t expected. Captain Marvel shows off her power, and Thor aiming for the head at last really got a pop of shock from the audience. It’s a brutally violent moment, but it’s justified when you think about the events that took place at the end of Infinity War.

The “How” of Antman’s return from the quantum realm is a little bit silly, but I think in a movie with a 3 hour run time its easy enough to forgive and forget that. Once he is back and learns of the dusting, after an emotional reuniting with his daughter that is the first sign of sniffles in most theatres, he goes straight to the avengers and this is the first time when you have to have done your homework and watched Antman and the Wasp. That film sets up, with a single line from Michelle Pfeiffer, that time works differently in the quantum realm and Scott confirming that to Steve Rogers and the rest of the avengers. The first reference to a Time Machine made me smile, because I was not convinced they would actually do it. But wow did they.

The first act is a lot of talking and set up, but after 21 other films we are so into these characters it all works. Imagine this being the first avengers film, it would feel way too slow, and the conversations wouldn’t hold any weight. The next huge pop in the cinema was for Hulk, who is now a combination of Hulk and Bruce banner. Huge and green, but with the intellect and voice of Bruce. It’s an awesome reference to the comics and the old animated show I used to love and the idea that he is now a kind of celebrity that poses for selfies is brilliant.

And then we go to New Asgard, and one of my favourite scenes in the whole film. Thor, despondent from what he perceives as his mistake that cost the lives of half a universe, has gotten fat. He hangs out with Ragnarok favourites Korg and Meek playing Fortnite. It’s hilarious and the fact they committed to him being Fat Thor (Fhor from this point on) for the entire film is just genius. I thought when he goes into battle and has both Mjolnir and Stormbreaker he would become Buff Hemsworth but no, I can finally say, after years of hard work, I have the same body as Thor.

The time-heist portion of the film is some of the most self-congratulatory victory lap stuff imaginable, and I lapped up every second with a huge grin on my face. Not only do the run us through the events of previous films, even Thor The Dark World, but they play with the scenes we know and love and deliver even more awesome moments. Everything in the 2012 New York is brilliant, from future Banners encounter with Tilda Swinton’s Ancient One from Dr Strange, to 2012 hulks anger at having to take the stairs. Iron Man and Antman fail after Scott defends Steve Rogers’ tight buns, Loki gets away with the Tesseract, setting up his new TV series, and Captain America gets the first of his numerous brilliant moments.

Stepping into a lift filled with hydra agents exactly like he did in The Winter Soldier. In that scene from a few years ago, he kicks everyone ass in a breathtakingly cool action scene. I fully expected them to repeat that, but no. He announces he is taking point on this one. Then when everyone is uncomfortably shifting and getting ready to throw down, he leans over to whisper “Hail Hydra”. This moment is an incredible pay off for the entire Winter Soldier film, and a brilliant reference to a very controversial comic line. To follow this up with him walking straight into 2012 Captain America is a stroke of absolute genius, and the fight ends with Steve confirming that it is indeed America’s ass.

Clint and Natasha’s trip to Volmir is a part of the movie I didn’t think I would really enjoy. If I’d have known it existed before viewing the film, I’d have picked this as prime toilet break territory. In actual fact, it’s a brilliant acted and choreographed scene that results in a shock, as Natasha sacrifices herself to save her best friend and let him see his family again. The fact that I and everyone in the cinema gave a crap about Hawkeye and Black Widow is testament to the brilliant world Marvel has built.

After a detour to the 1970’s for a few cameos from a young Howard Stark, Caps love Peggy Carter, a de-aged Michael Douglas as Hank Pym, and of course the man who created these characters, Stan Lee, they have all the stones. Another bit of plot convenience when Tony’s iron man technology can handle the power of the stones has to be ignored again here, considering Thanos had to get dwarves to make the gauntlet from the heart of a dying star. That minor point aside, Hulk takes the gauntlet, being the only one close to Thanos’ power and therefore able to use the stones without dying, and snaps to try and bring back everyone who got dusted at the end of the last film.

Job Done. Let’s all go home.

Actually no, let’s have the most incredible hour of cinema I have ever witnessed.

Nebula, whose robotic parts meant Thanos in 2014 found out about the plan, has been replaced by the evil Nebula from that time period. She brings Thanos and his entire giant ship through time from 2014 to the future. Just after the avengers realise the Hulk snap worked as Clint is on the phone to his previously dead wife, Thanos’ absolutely fucks their day up with artillery fire all over the base. It is carpet bombed into a devastated mess. Conveniently again, nobody is fatally wounded, but everyone is in different levels of peril.

The avengers are scattered about, Rocket Rhodey and Hulk are pinned under a load of rubble with water rising. Hawkeye awakes with Gauntlet, stones and all, just feet away, and a load of enemies on his tail. Iron man, Cap and Fhor find each other, and all three of them confront Thanos, who has been sitting, thinking about the victory his future self achieved, and planning how to improve on that. He settles on the idea that the balancing of the universe can never work whilst there are still those who remember what there was before. He wants to snap everyone out of existence, and create a new universe that doesn’t know any different.

Of course, we can’t be having that, and the three heroes charge at Thanos. This fight is epic, and it just consistently builds. Thanos, without any stones backing him up, is comfortable fighting 3 very powerful avengers. He knocks out Iron Man, throws Cap aside, and goes toe to toe with Fhor, armed with both Stormbreaker and Mjolnir. Thanos manages to make him drop Mjolnir in the dirt, and gets hold of Stormbreaker, pushing it into Fhor’s chest.

Then the Hammer lifts off the dirt, and smacks Thanos onto his (Antman free) Anus. Mjolnir then returns to the right hand of none of than Captain fucking America. This moment for the loudest cheer I have ever witnessed in a UK cinema. This moment put a huge smile on my face, as it confirms to me my theory that Cap could have picked it up in Age of Ultron, but chose not to, because he didn’t want to take it away from Thor. Cap then proceeds to deliver an ass whooping to Thanos with his shield and Mjolnir, only to be disarmed of the hammer. He then battles Thanos, a man who beat the hulk in a one on one fight, and his shield gets smashed again and again, eventually being shattered down to just half of the shield we recognise before he is hit back 30 feet and he lies there.

Thanos starts monologuing, like any good villain, but of course a beaten down Cap just pulls himself back up to his feet, tightens the half a shield around his arm, and stands to face Thanos and his entire army. This is when I come the closest I ever have to crying tears of happiness. That crackle of a radio and Sam Wilson’s voice bursts through. “On Your Left”, right on cue we see the familiar fizzle of sparks from a certain sorcerer’s portal. Remember just before this fight, when Hulk snapped and brought back all our dusted heroes? Well here they are. More and more portals open up, more and more familiar characters; every one of them gets a cheer from the audience. Cap stands at the front, and for the final time in the MCU, he says “Avengers Assemble”.

It’s ridiculous, cheesy, and incredibly geeky. But this whole fight scene is just so perfect. We get characters we have never seen interact fighting side by side. Everyone gets a moment, and then as Scarlet Witch is about to pull Thanos into bite size chunks, he calls for another carpet bombing of the area, showing again his ruthlessness to achieve his goals as he kills half his own army by doing this.

The guns turning up to fire at something else threw me off I have to be honest. I was worried/excited for a second something like the Silver Surfer was going to turn up, but no, it’s the newest member of the MCU, and by far the most over powered, Captain Marvel. She takes out the giant ship with ease. After more fighting, Thanos eventually gets the gauntlet back on his hand, and as he is about to snap, Carol is there again to stop him. There is an awesome moment when he head butts her, a tried and tested technique for dealing with avengers, but she doesn’t move an inch.

There’s another moment here when I was worried they was going to have her beat Thanos with ease, and that would have been a bit of an cheap victory for me. As it is, he grabs the power stone and punches her miles away. It isn’t going to be her. He puts the stone back in the glove, but Tony Stark is right there to try and stop him, grabbing onto the gauntlet seemingly trying to take it off. He doesn’t do it. Thanos throws him aside, says “I am Inevitable”, before snapping his fingers.

Thanos snapped, but he didn’t have the infinity stones, ya boy Tony Stark has them. He looks Thanos dead in the eye, and the final line we see Tony say in the MCU whilst alive is “I. Am. Iron Man.”. This moment is stupid. It’s about as subtle as a brick in the face. Its fan service at its most obvious. And it works completely perfectly because Marvel earned it. Eleven years ago Iron Man launched this franchise, a series of films that all led to this moment. To Tony Stark sacrificing his life to save everyone.

That sacrifice would be a fitting end, but the film then goes onto give another MCU stalwart a fitting send of in another way. Chris Evans made Captain America an interesting character, and as I said he has some incredible moments in this film. The end of this whole 11 year saga isn’t the death of Tony Stark, as emotionally fulfilling as that is. It’s the passing of the torch, or should I say Shield. The character of Steve Rogers has always been a man out of time, a man who doesn’t fit in the world. So once he has returned the Infinity stones to the times they got them back from, he doesn’t come back to the modern day. He goes back and gets that dance with Peggy, a call back to the final line of his own debut film.

None of this film really works without the other 21 films before it. 11 years ago Marvel stopped treating comic book movies like kids films, and decided to play the long game. The Dark Knight might be the greatest individual Superhero based film, but even that masterpiece can’t compete with the MCU anymore. This saga has surpassed anything in cinematic history. Last year it delivered the Empire Strikes Back for a new generation, with Thanos Winning. This year, it went beyond “Return of the Jedi” or even “Return of the King” and delivered the most satisfying end to a franchise ever.

What is even more incredible is that while this is a definite end to one story, it leaves the door wide open for countless more. It shouldn’t have been possible, but Marvel did it.

And they could do this all day.

Think that last line is too much? Yeah it felt like too much to me too.