Star Wars Episode IX: The Rise of Skywalker Review (NON-SPOILER)

“This will begin to make things right”

That was the first line of this new sequel trilogy, and The Force Awakens gave a lot of people a lot of hope for a new trilogy. Following that we had Rogue One, showing that it doesn’t have to be a saga film. Then came The Last Jedi, and Solo, and they both divided and then jaded the fan base respectively. The Rise of Skywalker had a lot on its shoulders, could JJ Abrams possibly land this trilogy and end the entire 9 film saga on a high? 

The Last Jedi, for all its divisiveness, posed several interesting and exciting questions about how the universe of Star Wars would look. As I sat down at midnight, it hit me. This was it, the final Star Wars saga film. The end to a story I have spent most of my life watching repeatedly.

Well TROS immediately hits you with a surprise. Right in the opening crawl, you’re given a lot of information. I expected some of these key points to be shown to me, not written at the start, but as you watch the film you realise there just wasn’t time for that. At least not with everything they decided to do with this film. You’re told exactly what the different groups of people are doing at this time, and the film launches off from there. It’s a fast start, and this is where reviewing this film starts to get difficult without spoilers.

The plot boils down to a series of fetch quests, the ones in video games you do that are fun and exciting because you’re playing the game and enjoying the game play. The plot doesn’t really have room to be much more complex than that, and bar from a robot related speed bump, it largely just propels the characters on both sides towards each other with great speed. The reason it doesn’t have much room to breathe is because The Rise of Skywalker is not a sequel to The Last Jedi, but an apology.

This film does so much to retcon the previous movies events, and it is not subtle about it. Clearly Disney and JJ Abrams did not like the backlash TLJ received, and they set out with this film to right those perceived wrongs. Perceived wrongs that I personally do not think were wrongs, but bold choices and challenges we haven’t seen storytelling wise in these films before. I will go deeper on this next week in a spoiler review after I have seen the film again but suffice to say if you’re a big fan of The Last Jedi then this film might be borderline offensive to you.

Whilst being an apology for TLJ, this film also attempts to cram in a quick version of the Episode 8 JJ would have made if he was in charge, crammed into the opening half hour of the film. So far, that is two challenges for this movie to overcome aside from its own plot. Those two challenges only add to the immense weight on this films shoulders to carry a 9 film, beloved franchise to a satisfying end. TROS certainly does put an end cap on the saga films, and I thought it was quite a satisfying end to the franchise, the problems I have are the issues this film causes the rest of the 8 films to date. Barring the Force Awakens, this film has kind of made 1 through 6 redundant, and it’s cut out 8 entirely. More on that in spoilers next week.

If the Force Awakens leaned on nostalgia to get fans back on board, The Rise of Skywalker takes that nostalgia and beats the ever-loving fuck out of you with it. That sounds like a problem, but honestly, I am all about it. I love this franchise, and so I loved all the references and the winks and nudges, the name drops, the cameos, all of it put a smile on my face as a Star Wars fan. As a film, it comes off cheesy in large parts, but that is undoubtedly the idea. Fan service has a stigma attached to it, but this film simply had to do it. This franchise has so many memorable moments, touching base on a bunch of them is just an easy win that would be stupid for JJ Abrams to miss out on.

In terms of new characters, we get a few that I thought added a lot to the film. A personal favourite being Zori Bliss, a Daft Punk looking woman who has a shady history with Poe. Their chemistry was great on screen, which leads me to Poe himself. I don’t know if any character in history has ever had so much sexual chemistry with everything in a movie before. Oscar Isaac just has this way of making everything he interacts with seem like he might have sex with it. Objects and People alike.

John Boyega continues to be a little bit underused in this film, but what he does have I thought was entertaining. As for Daisy Ridley, this is her best performance so far. She has developed a lot as an actress and it shows here, and she does so opposite the excellent Adam Driver. Their dynamic drives this film, and it’s by far my favourite part of this sequel trilogy.

As with both the previous films, TROS is an excellent executed film from a production standpoint. Everything looks fantastic, the special effects, the set design, it’s all done to the level of polish we have come to expect from these films. It has made The Mandalorian look a little shoddy, but that’s a budget thing and more a problem for the Mandalorian show than this film.

The other huge positive in this film, and arguably the one consistently brilliant thing throughout the entire saga, is the score. John Williams is a huge part of why Star Wars is so special, and this film uses his music brilliantly and the little changes he has made to certain themes all add to the drama and weight of everything happening. He is an unrivalled legend in his field and this film is another example of why.

As you can probably tell, this film has hit a weird place for me. I can tell it’s a well-produced movie, but I cannot shake the feeling that this film, and this entire trilogy, has been badly handled. The lack of a consistent vision and plan for this trilogy has undermined its potential and its special moments.

The Rise of Skywalker will go down as one of the lower ranked Star Wars movies, mostly for spoiler reasons. I will go into more detail next week but for now, I am left underwhelmed by a film that tried to take on an impossible amount.

Good: The duels, the acting, the music, the cinematography.

Bad: The editing, the frantic pace, the messy plot, and the dismantling of what came before.

5/10 – This one hurt.

 

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